Olympus M.Zuiko Digital ED 75-300mm f4.8-6.7 II
$ 549.99 - Épuisé
Olympus M.Zuiko Digital ED 75-300mm f4.8-6.7 II
Olympus SKU: V315040BU000 | Helix SKU: OYV315040BU000
Overview
The M.ZUIKO DIGITAL ED 75-300mm II f4.8-6.7 with a 35 mm equivalent of 150-600mm is an affordable super-telephoto lens that delivers excellent portability and outstanding image quality when paired with an award-winning OM-D or Olympus PEN camera. This lens features the advanced ZERO (Zuiko Extra-low Reflection Optical) lens coating, ensuring high imaging performance even under unfavorable conditions such as backlit shooting.
LIGHTWEIGHT SUPER-TELEPHOTO ZOOM
If you’ve ever lugged a super telephoto zoom lens around, you know how heavy and bulky it can be. That’s the beauty of the this lens – it’s just over 4 and a half inches long collapsed and weighs only 15 ounces. Compare that to a typical SLR camera lens with a comparable 600mm equivalent lens, which weighs more than twice as much as an Olympus OM-D E-M10 and 75-300 together!
ZERO OPTICAL COATING
Strongly lit scenes where you are practically shooting into the sun are always a challenge, but this lens has a secret weapon that ensures excellent results, even under such unfavorable conditions: Olympus’s advanced ZERO lens coating. ZERO, which stands for Zuiko Extra-low Reflection Optical coating, enables the lens to deliver tack-sharp image quality while reducing ghosting and lens flare when shooting against bright light, and provides increased durability, lessening the chances of damage to the lens surface.
MOVIE & STILL COMPATIBLE MECHANISM
One of this lens’s most interesting features is the unique-to-Olympus Movie & Still Compatible mechanism, or MSC. This technology provides amazingly fast, and nearly silent autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it focuses or changes aperture. This lens is perfect for tracking action.
Specifications
| Focal Length | 75-300mm |
| 35mm Equivalent Focal Length | 150-600mm |
| Lens Construction | 18 Elements in 13 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.9m |
| Maximum Aperture | f4.8 |
| Minimum Aperture | f22 |
| Angle of View | 16 - 4.1 Degree |
| Max. Image Magnification | 0.18x |
| 35mm Equivalent Max. Image Magnification | 0.36x |
| Minimum Field Size | 97 x 73mm |
| Number of Blades | 7 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 58mm |
| Weight | 423g (14.9 ounces) |
| AF System | High-speed Imager AF (MSC) |
| Mount Standard | Micro Four Thirds System Standard |
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MTF 75mm F4.8 Chart
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MTF 300mm F6.7 Chart
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Lens Element Diagram
Item Includes
Lens Cap (LC-58E)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital ED 75mm f1.8 - Black
$ 999.99
Olympus M.Zuiko Digital ED 75mm f1.8 - Black
Olympus SKU: V311040BU000 | Helix SKU: OYV311040BU000
Overview
The 75mm f1.8 is a high-grade, fast aperture portrait lens featuring metallic construction and a light weight of just 10.7 oz. With a 35mm equivalent focal length of 150mm, it is ideally suited for studio portraits, theatre stage, and indoor sports photography. A large, bright 50mm front lens element compliments a sophisticated optical design of 10 individual lens elements in 9 groups, including a total of 3 ED lenses and 2 HR lenses. Its large f1.8 maximum aperture captures clear, sharp images when the lights are low, while its MSC (Movie and Still Compatible) AF drive assures fast and nearly silent focusing.
CAPTURE PERFECT PORTRAITS & MORE
Want exquisite detail and smooth background defocusing in your images? A large front element and sophisticated optical design coupled with a bright aperture of f1.8 make the 75mm f1.8 lens a superb choice for studio portraits and indoor sports.
BUILT FOR BEAUTIFUL BOKEH
Photographers who shoot a lot of portraits and still-lives are always seeking excellent bokeh. Thanks to its large f1.8 aperture and 9 bladecircular aperture, the 75mm f1.8 is especially well suited to capture the combination of a tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.
SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS
The inclusion of the Movie & Still Compatible (MSC) mechanism provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. With MSC and the super-bright f1.8 aperture, you can film a school play or indoor sporting event in low light and still get excellent results.
ENGINEERED FOR EXQUISITE QUALITY
With ten individual lens elements in nine groups, metallic construction and a light weight of just 10.7 oz, this lens is a really advanced piece of engineering. Among these elements you’ll find three ED, or extra-low dispersion, lenses that correct for chromatic aberration, and two HR, or high refractivity, lenses, which correct for spherical aberration. All lens elements feature Olympus’s ZERO coating technology for virtual elimination of ghosts and flares.
Specifications
| Focal Length | 75mm |
| 35mm Equivalent Focal Length | 150mm |
| Lens Construction | 10 elements in 9 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.84m |
| Maximum Aperture | f1.8 |
| Minimum Aperture | f22 |
| Angle of View | 16 Degree |
| Max. Image Magnification | 0.10x |
| 35mm Equivalent Max. Image Magnification | 0.20x |
| Minimum Field Size | 130 x 173mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 58mm |
| Weight | 305g |
| AF System | High-speed Imager AF (MSC) |
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MTF 75mm F1.8 Chart
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Lens Element Diagram
Item Includes
Lens Cap (LC-58E)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital ED 75mm f1.8 - Silver
$ 999.99
Olympus M.Zuiko Digital ED 75mm f1.8 - Silver
Olympus SKU: V311040SU000 | Helix SKU: OYV311040SU000
Overview
The 75mm f1.8 is a high-grade, fast aperture portrait lens featuring metallic construction and a light weight of just 10.7 oz. With a 35mm equivalent focal length of 150mm, it is ideally suited for studio portraits, theatre stage, and indoor sports photography. A large, bright 50mm front lens element compliments a sophisticated optical design of 10 individual lens elements in 9 groups, including a total of 3 ED lenses and 2 HR lenses. Its large f1.8 maximum aperture captures clear, sharp images when the lights are low, while its MSC (Movie and Still Compatible) AF drive assures fast and nearly silent focusing.
CAPTURE PERFECT PORTRAITS & MORE
Want exquisite detail and smooth background defocusing in your images? A large front element and sophisticated optical design coupled with a bright aperture of f1.8 make the 75mm f1.8 lens a superb choice for studio portraits and indoor sports.
BUILT FOR BEAUTIFUL BOKEH
Photographers who shoot a lot of portraits and still-lives are always seeking excellent bokeh. Thanks to its large f1.8 aperture and 9 bladecircular aperture, the 75mm f1.8 is especially well suited to capture the combination of a tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.
SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS
The inclusion of the Movie & Still Compatible (MSC) mechanism provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. With MSC and the super-bright f1.8 aperture, you can film a school play or indoor sporting event in low light and still get excellent results.
ENGINEERED FOR EXQUISITE QUALITY
With ten individual lens elements in nine groups, metallic construction and a light weight of just 10.7 oz, this lens is a really advanced piece of engineering. Among these elements you’ll find three ED, or extra-low dispersion, lenses that correct for chromatic aberration, and two HR, or high refractivity, lenses, which correct for spherical aberration. All lens elements feature Olympus’s ZERO coating technology for virtual elimination of ghosts and flares.
Specifications
| Focal Length | 75mm |
| 35mm Equivalent Focal Length | 150mm |
| Lens Construction | 10 elements in 9 Groups |
| Dust & Drip Proof | No |
| Closest Focusing Distance | 0.84m |
| Maximum Aperture | f1.8 |
| Minimum Aperture | f22 |
| Angle of View | 16 Degree |
| Max. Image Magnification | 0.10x |
| 35mm Equivalent Max. Image Magnification | 0.20x |
| Minimum Field Size | 130 x 173mm |
| Number of Blades | 9 (Circular Aperture Diaphragm) |
| Filter Size | Diameter 58mm |
| Weight | 305g |
| AF System | High-speed Imager AF (MSC) |
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MTF 75mm F1.8 Chart
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Lens Element Diagram
Item Includes
Lens Cap (LC-58E)
Lens Rear Cap (LR-2)
Instruction Manual
Olympus Worldwide Warranty Card
Olympus M.Zuiko Digital MC-20 2X Teleconverter
$ 469.99
Olympus M.Zuiko Digital MC-20 2X Teleconverter
Olympus SKU: V321240BU000 | Helix SKU: OYV321240BU000
Overview
Double the focal length of the M.Zuiko Digital ED 40-150mm F2.8 PRO or M.Zuiko Digital ED 300mm F4.0 IS PRO with the 2x teleconverter MC-20. Maintain outstanding image quality, High speed AF, and Image Stabilization performance while carrying a minimal amount of additional gear.
The MC-20 doesn’t sacrifice quality when it comes to optical performance. 9 elements in 4 groups, including a HR lens, suppresses chromatic aberration, while ghosts and flare are kept to a minimum with Olympus’ highly regarded ZERO Coating.*
*Aperture value reduced by 2 EV steps.
Enjoy the same lightning-quick AF performance you’ve come to expect from your OM-D body and M.Zuiko PRO lenses. The MC-20 maintains the AF speed and accuracy your body and lens are capable of, allowing you to capture ultra-sharp images at twice the focal length.*
*Aperture value reduced by 2 EV steps.
Experience up to an incredible 5 shutter speed stops of IS per for mance enabling you to shoot hand-held at astounding 1200mm focal length equivalent. * **
* When using the OM-D E-M1X and M.Zuiko Digital ED 300mm F4.0 IS PRO Lens
** 5-Axis Sync IS
If you’re used to shooting in treacherous weather your M.Zuiko Digital ED 40-150mm F2.8 PRO and M.Zuiko Digital ED 300mm F4.0 IS PRO lenses, the MC-20 has you covered. Enjoy the same level of dustproof, splashproof, and freezeproof performance standard on all M.Zuiko PRO lenses.
Get close to smaller forms of wildlife and insects while maintaining enough distance to not startle your subject. The MC-20 + M.Zuiko Digital ED 300mm F4.0 IS PRO lens allows you to focus as close as 1.43m (4’ 8”), enabling you to take incredibly detailed images of smaller subjects at a magnification of 0.96x
Specifications
| Lens | Maximum Focal Length (35mm equivalent) |
Maximum Image Magnification (35mm equivalent) |
| M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO + MC-20 | 600mm (1200mm) |
0.48x (0.96x) |
| M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO + MC-20 | 300mm (600mm) |
0.43x (0.86x) |
Olympus O-Ring (2-pk) PT001 / 002
$ 9.00
O-rings - (2) pack
Olympus O-RING UW FRONT PFL-01 FL-20
$ 11.95
Replacement front O-ring for the PT Underwater Protective Case PFL-01 for FL-20 Flash . Creates watertight seal.Underwater photographic equipment cannot be watertight unless the O-rings that seal it are flawless. Always carry spare O-rings in your camera case.O-rings are the most important components of your underwater camera system. If the O-ring is lubricated, it will be elastic enough to shape itself uniformly around the channel. If it is dry, there will be too much friction to allow it to reshape itself uniformly. It will not safeguard against flooding.Every time you open the camera to change film, examine the O-ring and service if necessary.Always clean and lubricate after every diving day.When in doubt about the sealing capability of an O-ring, always discard and replace.Never use a sharp or pointed object to remove an O-ring! Use the O-ring remover tool.Don't overgrease! Too much grease attracts debris that will disrupt the seal and cause flooding. Silicone grease is not a sealant; it only protects the O-ring from abrasion. A perfectly greased O-ring looks moist and shiny.
Olympus O-RING UW PPO-02 C-5060
$ 11.07
Underwater photographic equipment cannot be watertight unless the O-rings that seal it are flawless. Always carry spare O-rings in your camera case.O-rings are the most important components of your underwater camera system. If the O-ring is lubricated, it will be elastic enough to shape itself uniformly around the channel. If it is dry, there will be too much friction to allow it to reshape itself uniformly. It will not safeguard against flooding.Every time you open the camera to change film, examine the O-ring and service if necessary.Always clean and lubricate after every diving day.When in doubt about the sealing capability of an O-ring, always discard and replace.Never use a sharp or pointed object to remove an O-ring! Use the O-ring remover tool.Don't overgrease! Too much grease attracts debris that will disrupt the seal and cause flooding. Silicone grease is not a sealant; it only protects the O-ring from abrasion. A perfectly greased O-ring looks moist and shiny.
Olympus O-RING UW REAR PPO-02 C-5060
$ 10.84
UNDERWATER HOUSING,0-RING FOR PPO-02
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body - Silver
$ 799.99 - Épuisé
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body - Silver
Olympus SKU: V207130SU000 | Helix SKU: OYV207130SU000
Overview
Features:
- 20.3MP Live MOS Micro Four Thirds Sensor
- TruePic VIII Image Processor
- UHD 4K30p Video Recording
- 2.36m-Dot 0.67x-Magnification OLED EVF
- 3.0" 1.04m-Dot 180° Tilt Touchscreen
- 5-Axis Sensor-Shift Image Stabilization
- 121-Point Contrast-Detection AF
- 8.7 fps Shooting, ISO 200-25600
- Wi-Fi and Bluetooth Connectivity
COMPACT
This compact mirrorless camera is light, easy to carry, and frees you to do your best shooting all while capturing bright, sharp stills and video.
5-AXIS IS
Instantly elevate your photography with foolproof technology that eliminates image blur to always capture bright, sharp images even in dark locations.
NEVER MISS A SHOT
Capture fast moving action and split-second scenes with sequential shooting that reels off an incredible 15 frames per second.
28 SCENE MODES
Choose from more than two-dozen Scene Modes that aide in capturing the most challenging of shots.
16 ART FILTERS
Here’s where creativity meets photography. Choose from over a dozen Art Filters to give your images a unique, stylized look.
4K VIDEO
Shoot smooth ultra-high definition 4K video that delivers stunning detail and breathtaking color.
WI-FI SYNC
The E-M10 Mark IV’s built-in Wi-Fi quickly connects to your smart device for wireless transfer of photos and videos.
BLUETOOTH®
Built-in Bluetooth facilitates easy image transfer from the E-M10 Mark IV to your smart device.
OI.SHARE
The free Olympus Image Share app is the gateway between your smart device and the E-M10 Mark IV.
Specifications:
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Sensor Effective Resolution / Type20.3 Megapixel Live MOS
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ProcessorTruePic™ VIII
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Focusing SystemContrast Detection with 121 Focus Points
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Image Stabilization System5-Axis In Body Image Stabilization with 4.5 EV Compensation
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Viewfinder2.36M dot OLED Electronic Viewfinder
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Rear Monitor3.0" 180º Tilting Touch Monitor with Selfie Mode
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Creative Features4K Video, Nighttime Live Composite, 16 Art Filters with new Instant Film filter
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Sequential Shooting SpeedMechanical Shutter: 8.7fps H Mode, 5.0fps L Mode
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FlashBuilt-in Pop Up Flash
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Special FeaturesIntuituve Touch Interface, Advanced Photo Mode, Shortcut Button, and Built-in Wi-Fi & Bluetooth
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body only - Black
$ 799.99
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body Only - Black
Olympus SKU: V207130BU000 | Helix SKU: OYV207130BU000
Overview
Features:
- 20.3MP Live MOS Micro Four Thirds Sensor
- TruePic VIII Image Processor
- UHD 4K30p Video Recording
- 2.36m-Dot 0.67x-Magnification OLED EVF
- 3.0" 1.04m-Dot 180° Tilt Touchscreen
- 5-Axis Sensor-Shift Image Stabilization
- 121-Point Contrast-Detection AF
- 8.7 fps Shooting, ISO 200-25600
- Wi-Fi and Bluetooth Connectivity
Specifications
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Sensor Effective Resolution / Type20.3 Megapixel Live MOS
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ProcessorTruePic™ VIII
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Focusing SystemContrast Detection with 121 Focus Points
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Image Stabilization System5-Axis In Body Image Stabilization with 4.5 EV Compensation
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Viewfinder2.36M dot OLED Electronic Viewfinder
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Rear Monitor3.0" 180º Tilting Touch Monitor with Selfie Mode
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Creative Features4K Video, Nighttime Live Composite, 16 Art Filters with new Instant Film filter
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Sequential Shooting SpeedMechanical Shutter: 8.7fps H Mode, 5.0fps L Mode
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FlashBuilt-in Pop Up Flash
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Special FeaturesIntuituve Touch Interface, Advanced Photo Mode, Shortcut Button, and Built-in Wi-Fi & Bluetooth
Olympus POL-105A Silicone O-Ring for PPO-05 WA Port - New
$ 9.95
Olympus POL-105A Silicone O-Ring for PPO-05 WA Port - New
Olympus PORT UW PER-E02
$ 229.00
The Olympus Evolt Underwater Lens Port Extension Ring PER-E02 is designed for use with the 7-14mm zoom lens, PPO-E04 Wide Lens Port and EVOLT E-300. It requires PPO-E04 and Body Housing.
Olympus PPO-01 Standard Lens Port for PT-020 - #200941 - New
$ 49.00
Olympus PPO-01 Standard Lens Port for PT-020 - #200941 - New
Olympus SUR4346 Step Up Ring 43-46mm
$ 9.95
The filter has a different diameter and you still want to use it to achieve the effect you've been waiting for so long? With Olympus accessories it is not a problem at all. This 43mm to 46mm step-up ring allows you to use a wide variety of lenses, effects, and filters. allows you to use your 46mm Filter on a 43mm filter size lens
Olympus TCON-SA2 3X Extension B Holder Support Arm for E-10
$ 99.00
Olympus TCON SA-2 3x Extension B Holder Support Arm for the E-10 & E20N DigCams Olympus offers this Extension B Holder Support Arm for E-10 Olympus camera and TCON-300S Teleconverter. It comes with elegant leather carrying case for both camera and converter. The TCON SA2 supports both the Camera and 3X extension Lens when they are attached together. The E-10 and the lens are positioned and held in alignment by two registration pins. It is especially useful when using the Li-Po Battery Grip.
Olympus Varimagni Finder for OM System
$ 59.95
The Varimagni Finder slides into grooves on each side of the viewfinder of Olympus OM cameras, and can be useful when the camera is near the ground, and when the camera is mounted on a copying stand or a microscope and is pointing downwards.
OM System OM-1 Mirrorless Camera Body Only
$ 2,199.99
OM System OM-1 Mirrorless Camera Body Only
Olympus SKU: V210010BU000 | Helix SKU: OYV210010BU000
Overview
OM SYSTEM OM-1
As the flagship of the mirrorless OM SYSTEM, the OM-1 is equipped with the industry’s latest technology to realize your most creative ideas. Pick it up and be amazed at its compact size, how it fits naturally in your hand and how little effort it takes to lift it. Break free from heavy, bulky cameras and tripods with the world’s best image stabilization system for shooting sharp handheld shots, even in low light. Weather-sealing lets you work without worry in adverse conditions. You’ll have the speed and precision to capture the impossible and take your photos and video to new, exciting places.
STACKED BSI LIVE MOS SENSOR
Get 20MP of exceptional sharpness. Our redesigned Live MOS Sensor delivers a level of image quality that surpasses most full frame cameras.
LOW LIGHT PHOTOGRAPHY
Shoot bright, crisp images indoors and in low light environments with an ISO range that can be ramped up to an astounding 102,400.
EVEN BETTER IBIS
Leave the tripod behind and let the most advanced in-body image stabilization system in the world help you take sharp handheld, telephoto and macro shots.
LIVE ND
Take beautiful dreamy landscape shots using our Live ND Mode that emulates slow shutter speed effects.
HANDHELD HIGH-RES
Need a quick high resolution shot? We’ve moved this feature to dedicated button for taking a 50MP shot with incredible detail and clarity.
LIVE COMP
Capture long exposures of moving subjects like fireworks or light painting without a tripod.
FAST 120FPS EVF
The high-speed Electronic Viewfinder operates at 120fps and helps you clearly see subjects, even in the dark.
1,053 POINT ALL CROSS PIXEL AF
With an astounding 1,053 all cross-type focus points, you’ll track, focus and capture the fastest, most challenging subjects with unparalleled precision.
120FPS BURST RAW, 50FPS AF/AE TRACKING
Talk about blazing speed. Shoot a continuous 120fps of 20MP in RAW and ensure you’ll never miss a critical moment.
IP53 – DUSTPROOF AND SPLASHPROOF
Adverse conditions are a fact of life. The OM-1 is splash-proof, dustproof and comes with an impressive IP53 rating.
SAY NO TO DUST
Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter shakes dust and dirt away for pristine images.
SHUTTERBUG
The ultimate in durability. Rigorous testing proves that the OM-1’s shutter has a reliable lifespan of more than 400,000 actuations.
4K/60P 10BIT 4:2:0
Shoot in smooth, spectacular ultra-high resolution 4K/60p or capture high-speed, full high definition video at 240p.
ULTIMATE SLOW MOTION
If 120fps at FHD wasn’t enough, how about 240FPS?
OM-LOG LUT
Shoot in OM-Log to capture the maximum amount of dynamic range in challenging conditions and use the LUT to easily grade your color.
Specifications
Specifications
Sensor & Dust Reduction
| Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 22.9 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
Processor
| Processor Type | TruePic™ X |
Focusing System
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -5.5~19 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF) Single AF (S-AF+MF) Continuous AF (C-AF) Continuous AF (C-AF+MF) Manual Focus (MF) AF tracking (C-AF + TR) AF tracking (C-AF + TR+MF) Preset MF Starry sky AF (S-AF) Starry sky AF (S-AF+MF) |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| Face Detection AF / Eye Detection | Available |
| AI detection AF | Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| AF Targeting Pad | Available |
| Magnify MF | Available |
| Peaking Function | Available |
| AF Focus Adj. | Available |
| AF Illuminator | Available |
| Focus Indicator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
| 5-Axis Sync IS | Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 7.0 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm） Compensation steps (Sync IS): 8.0 *When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Shutter Type |
Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite Electronic first curtain shutter 1/320 - 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. Electronic shutter (Silent mode) 1/32000 - 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 *Video recording S/M mode, Still S/M silent mode only |
| Sequential Shooting Maximum Speed *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
[Sequential shooting] approx 10 fps with selectable 1-10 fps [Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps [Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps without blackout [Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. [Silent sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. [Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH2] approx 50 fps with selectable 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting 10 fps [RAW]: Approx. 139 Sequential shooting 10 fps [JPEG LF]: Approx. 169 Silent sequential shooting 20 fps [RAW]: Approx. 108 Silent sequential shooting 20 fps [JPEG LF]: Approx. 116 Silent sequential shooting SH1 120 fps [RAW]: Approx. 92 Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 92 Silent sequential shooting SH2 50 fps [RAW]: Approx. 96 Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 97 |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.48x[*1] - 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control both GM and BA |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-18, bundled) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* *Approx 1.62M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release Touch AF (AF area selection, AF area size adjustment) Face selection by touch operation AF targeting pad Frame forward/backward Magnified playback Super Control Panel Wi-Fi connection Movie controls |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / GM ±7 levels, BA ±7 levels |
Exposure Control & Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.80) ~ 102400 * Upper default ISO 25600 Manual ISO : LOW (approx.80, approx.100), 200 ~ 102400 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
| Synchronization Speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by OM SYSTEM (Olympus) Wireless RC Flash system compatible flashes: FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 3 groups (External flash 2 groups + commander flash) |
| Radio Wireless Control | Available |
Memory & Image Recording (File Format)
| Compatible Memory |
Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
|
Dual Card Slot Settings
|
Standard, Auto Switch, Dual Independent, Dual Same |
| Folder Creation and Selection | Available |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing & HDR
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1. 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking Mode | Available * Compatible with : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | Available |
| Color Matrix | sRGB, Adobe RGB |
| Art Filter (Variation / Art Effect) |
Pop Art Soft Focus Pale & Light Color Light Tone Grainy Film Pin Hole Diorama Cross Process Gentle Sepia Dramatic Tone Key Line Water Color Vintage Partial Color (18 color selectable) Bleach Bypass Instant Film |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time - 0.5 sec – 60 sec |
| Interval Mode | *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available Available on making Time-lapse movie automatically |
| Multiple Exposure (number of pictures / function) | 2 frames |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| Live ND (Neutral Density) | Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
| Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 |
| Keystone Compensation | Available |
Video & Audio Recording
| Video Recording Format / Frame Rate / Compression Method |
MOV(MPEG-4AVC/H.264) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps) 60p, 50p / LongGOP (Approx. 52Mbps) MOV (HEVC/H.265) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps) 60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps) |
| Art Filter Movie | Available (Frame rates may drop when certain Art Filters are used) |
| One-push Movie Digital Converter | Approx. 1.4x |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 240, 200, 120, 100fps (1920×1080 / MPEG-4 AVC/H.264) 200, 120, 100fps (1920 x 1080 / HEVC/H.265) |
| IS for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Zebra Pattern | Available * 2 levels selectable to set |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
| Movie Picture Mode | Flat, OM-Log400, HLG |
|
Audio Recording Format
|
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|
High-Resolution Audio recording
|
Stereo linear PCM/24-bit, Sampling frequency 96kHz |
|
Microphone / Speaker
|
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
|
Microphone Function
|
Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| GPS Info Function | Available (Via GPS smartphone) |
| Wireless Shooting | Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1 |
| Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Tethered Shooting | USB connection *Camera can be operated by PC or camera controls Wi-Fi connection (2.4GHz/5GHz) *Transfer of recorded images to PC via access point |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Image Editing
| Movie Editing Function | Trimming (beginning / end) / In-movie image extraction (4K only) |
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) |
| Rating | Available |
Connectivity & Power Requirements
| USB Connector | USB Type-C (USB 3.0 SuperSpeed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | ⌀3.5 stereo mini jack |
| Battery | BLX-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation |
| AC Adapter | Optional F-7AC adapter *Via power battery holder (HLD-10) |
| USB Bus Power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min, off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 520 Quick sleep mode: 1100 |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 90 When zoom and other operational functions are not used: 160 |
Weights, Dimensions, & Operating
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g Approx. 511g (body only) |
| Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
| Weatherproof Construction | Splashproof Type / Dustproof: IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) Freezeproof: -10℃ |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
*Prices and specifications are subject to change without notice.
Item Includes
Box Contents:
Body
CB-USB13 USB cable
CC-1 Cable clip
CP-2 Cable protector
Shoulder strap
Instruction manual
Warranty card
BLX-1 Li-ion battery
F-7AC AC adapter
FL-LM3 Flash
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
$ 2,799.99
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
OM System SKU: V210011BU000 | Helix SKU: OYV210011BU000
Overview
OM SYSTEM OM-1
As the flagship of the mirrorless OM SYSTEM, the OM-1 is equipped with the industry’s latest technology to realize your most creative ideas. Pick it up and be amazed at its compact size, how it fits naturally in your hand and how little effort it takes to lift it. Break free from heavy, bulky cameras and tripods with the world’s best image stabilization system for shooting sharp handheld shots, even in low light. Weather-sealing lets you work without worry in adverse conditions. You’ll have the speed and precision to capture the impossible and take your photos and video to new, exciting places.
STACKED BSI LIVE MOS SENSOR
Get 20MP of exceptional sharpness. Our redesigned Live MOS Sensor delivers a level of image quality that surpasses most full frame cameras.
LOW LIGHT PHOTOGRAPHY
Shoot bright, crisp images indoors and in low light environments with an ISO range that can be ramped up to an astounding 102,400.
EVEN BETTER IBIS
Leave the tripod behind and let the most advanced in-body image stabilization system in the world help you take sharp handheld, telephoto and macro shots.
LIVE ND
Take beautiful dreamy landscape shots using our Live ND Mode that emulates slow shutter speed effects.
HANDHELD HIGH-RES
Need a quick high resolution shot? We’ve moved this feature to dedicated button for taking a 50MP shot with incredible detail and clarity.
LIVE COMP
Capture long exposures of moving subjects like fireworks or light painting without a tripod.
FAST 120FPS EVF
The high-speed Electronic Viewfinder operates at 120fps and helps you clearly see subjects, even in the dark.
1,053 POINT ALL CROSS PIXEL AF
With an astounding 1,053 all cross-type focus points, you’ll track, focus and capture the fastest, most challenging subjects with unparalleled precision.
120FPS BURST RAW, 50FPS AF/AE TRACKING
Talk about blazing speed. Shoot a continuous 120fps of 20MP in RAW and ensure you’ll never miss a critical moment.
IP53 – DUSTPROOF AND SPLASHPROOF
Adverse conditions are a fact of life. The OM-1 is splash-proof, dustproof and comes with an impressive IP53 rating.
SAY NO TO DUST
Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter shakes dust and dirt away for pristine images.
SHUTTERBUG
The ultimate in durability. Rigorous testing proves that the OM-1’s shutter has a reliable lifespan of more than 400,000 actuations.
4K/60P 10BIT 4:2:0
Shoot in smooth, spectacular ultra-high resolution 4K/60p or capture high-speed, full high definition video at 240p.
ULTIMATE SLOW MOTION
If 120fps at FHD wasn’t enough, how about 240FPS?
OM-LOG LUT
Shoot in OM-Log to capture the maximum amount of dynamic range in challenging conditions and use the LUT to easily grade your color.
Specifications
Specifications
Sensor & Dust Reduction
| Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 22.9 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
Processor
| Processor Type | TruePic™ X |
Focusing System
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -5.5~19 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF) Single AF (S-AF+MF) Continuous AF (C-AF) Continuous AF (C-AF+MF) Manual Focus (MF) AF tracking (C-AF + TR) AF tracking (C-AF + TR+MF) Preset MF Starry sky AF (S-AF) Starry sky AF (S-AF+MF) |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| Face Detection AF / Eye Detection | Available |
| AI detection AF | Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| AF Targeting Pad | Available |
| Magnify MF | Available |
| Peaking Function | Available |
| AF Focus Adj. | Available |
| AF Illuminator | Available |
| Focus Indicator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
| 5-Axis Sync IS | Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 7.0 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm） Compensation steps (Sync IS): 8.0 *When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Shutter Type |
Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite Electronic first curtain shutter 1/320 - 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. Electronic shutter (Silent mode) 1/32000 - 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 *Video recording S/M mode, Still S/M silent mode only |
| Sequential Shooting Maximum Speed *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
[Sequential shooting] approx 10 fps with selectable 1-10 fps [Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps [Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps without blackout [Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. [Silent sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. [Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH2] approx 50 fps with selectable 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting 10 fps [RAW]: Approx. 139 Sequential shooting 10 fps [JPEG LF]: Approx. 169 Silent sequential shooting 20 fps [RAW]: Approx. 108 Silent sequential shooting 20 fps [JPEG LF]: Approx. 116 Silent sequential shooting SH1 120 fps [RAW]: Approx. 92 Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 92 Silent sequential shooting SH2 50 fps [RAW]: Approx. 96 Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 97 |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.48x[*1] - 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control both GM and BA |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-18, bundled) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* *Approx 1.62M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release Touch AF (AF area selection, AF area size adjustment) Face selection by touch operation AF targeting pad Frame forward/backward Magnified playback Super Control Panel Wi-Fi connection Movie controls |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / GM ±7 levels, BA ±7 levels |
Exposure Control & Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.80) ~ 102400 * Upper default ISO 25600 Manual ISO : LOW (approx.80, approx.100), 200 ~ 102400 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
| Synchronization Speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by OM SYSTEM (Olympus) Wireless RC Flash system compatible flashes: FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 3 groups (External flash 2 groups + commander flash) |
| Radio Wireless Control | Available |
Memory & Image Recording (File Format)
| Compatible Memory |
Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
|
Dual Card Slot Settings
|
Standard, Auto Switch, Dual Independent, Dual Same |
| Folder Creation and Selection | Available |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing & HDR
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1. 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking Mode | Available * Compatible with : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | Available |
| Color Matrix | sRGB, Adobe RGB |
| Art Filter (Variation / Art Effect) |
Pop Art Soft Focus Pale & Light Color Light Tone Grainy Film Pin Hole Diorama Cross Process Gentle Sepia Dramatic Tone Key Line Water Color Vintage Partial Color (18 color selectable) Bleach Bypass Instant Film |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time - 0.5 sec – 60 sec |
| Interval Mode | *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available Available on making Time-lapse movie automatically |
| Multiple Exposure (number of pictures / function) | 2 frames |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| Live ND (Neutral Density) | Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
| Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 |
| Keystone Compensation | Available |
Video & Audio Recording
| Video Recording Format / Frame Rate / Compression Method |
MOV(MPEG-4AVC/H.264) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps) 60p, 50p / LongGOP (Approx. 52Mbps) MOV (HEVC/H.265) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps) 60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps) |
| Art Filter Movie | Available (Frame rates may drop when certain Art Filters are used) |
| One-push Movie Digital Converter | Approx. 1.4x |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 240, 200, 120, 100fps (1920×1080 / MPEG-4 AVC/H.264) 200, 120, 100fps (1920 x 1080 / HEVC/H.265) |
| IS for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Zebra Pattern | Available * 2 levels selectable to set |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
| Movie Picture Mode | Flat, OM-Log400, HLG |
|
Audio Recording Format
|
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|
High-Resolution Audio recording
|
Stereo linear PCM/24-bit, Sampling frequency 96kHz |
|
Microphone / Speaker
|
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
|
Microphone Function
|
Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| GPS Info Function | Available (Via GPS smartphone) |
| Wireless Shooting | Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1 |
| Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Tethered Shooting | USB connection *Camera can be operated by PC or camera controls Wi-Fi connection (2.4GHz/5GHz) *Transfer of recorded images to PC via access point |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Image Editing
| Movie Editing Function | Trimming (beginning / end) / In-movie image extraction (4K only) |
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) |
| Rating | Available |
Connectivity & Power Requirements
| USB Connector | USB Type-C (USB 3.0 SuperSpeed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | ⌀3.5 stereo mini jack |
| Battery | BLX-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation |
| AC Adapter | Optional F-7AC adapter *Via power battery holder (HLD-10) |
| USB Bus Power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min, off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 520 Quick sleep mode: 1100 |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 90 When zoom and other operational functions are not used: 160 |
Weights, Dimensions, & Operating
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g Approx. 511g (body only) |
| Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
| Weatherproof Construction | Splashproof Type / Dustproof: IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) Freezeproof: -10℃ |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
*Prices and specifications are subject to change without notice.
Item Includes
Box Contents:
Body
CB-USB13 USB cable
CC-1 Cable clip
CP-2 Cable protector
Shoulder strap
Instruction manual
Warranty card
BLX-1 Li-ion battery
F-7AC AC adapter
FL-LM3 Flash
OM System OM-5 Mirrorless Camera Body (Black)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Black)
OM System SKU: V210020BU000 | Helix SKU: OYV210020BU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera Body (Silver)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Silver)
OM System SKU: V210020SU000 | Helix SKU: OYV210020SU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
$ 1,599.99 $ 1,399.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
OM System SKU: V210022BU000 | Helix SKU: OYV210022BU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
$ 1,599.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
OM System SKU: V210022SU000 | Helix SKU: OYV210022SU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
Op/Tech USA Accessory Pack-11" Black HC 4901012
$ 27.95 - Épuisé
Op/Tech USA Accessory Pack-11" Black HC 4901012
Op/Tech USA Body Cover AF-Pro Black 8201054
$ 24.95
Op/Tech USA Body Cover AF-Pro Black 8201054
Op/Tech USA Classic Strap Black HC 1001252
$ 17.95
Op/Tech USA Classic Strap Black HC 1001252
Op/Tech USA Pro Strap 3/8" - Black
$ 24.95
Op/Tech USA Pro Strap 3/8" - Black
Op/Tech SKU: 1501012 | Helix SKU: OP1501012
Overview
Pro Strap™ - 3/8"
The Pro Strap™ is rapidly becoming the choice of professional photographers and people who use large cameras with long heavy lenses. It's also ideal for use on portable power packs. The patented weight reduction system makes equipment feel 50% lighter and 100% more comfortable. The weight is evenly dispersed while the strap functions as a shock absorber to eliminate neck and shoulder fatigue. The Non Slip Grip™ adds the finishing touch which enables camera gear to be safely carried slung over the shoulder. You'll definitely feel the difference! The 3/8" Webbing Connectors give added adjustability and versatility so a camera can be easily worn across the chest if desired.
Specifications
Op/Tech USA Rain Sleeve 2-Pack - 18"
$ 9.95 - Épuisé
Op/Tech USA Rain Sleeve 2-Pack - 18"
MFR SKU: 9001132 | Helix SKU: OP9001132
Overview
The OP/TECH USA 18" Rainsleeve is a polyethylene sleeve made to protect an SLR camera with a lens up 7.0" in diameter and 18" in length. The sleeve protects the gear from dust and inclement weather. It is designed for handheld use or tripod application. It has a unique eyepiece opening adapts to most viewfinders for viewing through the lens. Camera & lens controls are easily visible and operable through the sleeve. Drawstring lens opening offers easy access and a snug fit. There are two Rainsleeves included.
- Polyethylene case made to protects your gear from dust and inclement weather.
- Designed for handheld use or tripod application
- Unique eyepiece opening adapts to most viewfinders for viewing through the lens
- Camera and lens controls are easily visible and operable through the RainSleeve.
- Drawstring lens opening offers easy access and a snug fit
- Fits lenses measuring up to 7.0" (17.8 cm) in diameter and up to 18" (45.7cm) in length
Op/Tech USA Rain Sleeve 2-Pack - 8"
$ 9.95 - Épuisé
Op/Tech USA Rain Sleeve 2-Pack - 8"
MFR SKU: 9001022 | Helix SKU: OP9001022
Overview
- Fits Camera and Lens
- Protects Against Rain, Dust, and Mud
- Completely See-Through
- Full Access to Camera Controls & Finder
This see-through plastic rain sleeve is designed to protect your camera and lens up to 8" in length and 4.5" in diameter. Fully-featured, the sleeve protects your gear from dust and inclement weather and may be used handheld or with a tripod. For added protection, the rain sleeve may be used with a lens hood, and has a drawstring closure. Photographers will appreciate that the rain sleeve is customizable to the camera's eyepiece. This package contains two rain sleeves.
- Compact design which fits easily in a bag or pocket
- Four great styles to protect your gear
- Designed for handheld use or tripod application
- Unique eyepiece opening adapts to most viewfinders for viewing through the lens & not through plastic
- Camera and lens controls are easily visible and operable
- Drawstring lens opening offers easy access and a snug fit
- Includes two rain sleeves
Op/Tech USA Rainsleeve Mega 25" (63 5cm) 9001252
$ 8.95
Op/Tech USA Rainsleeve Mega 25" (63 5cm) 9001252
Op/Tech USA Rainsleeve-Flash 14" (46cm) 9001142
$ 8.25
Op/Tech USA Rainsleeve-Flash 14" (46cm) 9001142
Op/Tech USA Stabilizer Strap Black HC 5301002
$ 15.95
Op/Tech USA Stabilizer Strap Black HC 5301002
Op/Tech USA System Connectors Mini QD Loops 1mm (contains 4) 1301112
$ 5.95
Op/Tech USA System Connectors Mini QD Loops 1mm (contains 4) 1301112
Op/Tech USA System Connectors Secure-Its 1301042
$ 5.95
Op/Tech USA System Connectors Secure-Its 1301042
P910 PINNACLE TRIPOD WITH 3-WAY PAN/TIL
$ 55.95
P910 PINNACLE TRIPOD WITH 3-WAY PAN/TIL
Panasonic Eneloop Rechargeable AA Batteries 4-Pack
$ 18.95
Panasonic Eneloop Rechargeable AA Batteries 4-Pack
Eneloop SKU: BK-3MCC84BA | Helix SKU: PR8036
Overview
These Panasonic Eneloop AA Rechargeable Ni-MH Batteries come pre-charged and ready to use right from the packaging.
- Minimum Capacity: 1900mAh
- Typical Capacity: 2000mAh
- Up to 2,100 recharges
- 30% discharge over 10 years
- Pre-Charged
Panasonic Lithium Ion Battery
$ 9.00
Genuine Panasonic battery Pack for Panasonic Camcorders
Peak Design Capture (Clip Only) - Silver
$ 59.95
Peak Design Capture (Clip Only) - Silver
Peak Design SKU: CC-S-3 | Helix SKU: PDCCS3
The new Capture Clip-Only is exactly what it sounds like‚ Capture clip without a camera plate‚ for those only in need of an additional clip. Perhaps you have multiple backpacks or bags that you're looking to outfit with Capture clips. Or maybe you're looking to give yourself the convenience of instantly switching between shoulder strap and belt carry.
Recommended custom setups:
For Manfrotto RC2 tripod compatibility: get Capture Clip-Only + Dual Plate.
For lens carry & quick lens changes: get Capture Clip-Only + Lens Kit.
For binocular carry: get Capture Clip-Only + Bino Kit.
For GoPro mounting: get Capture Clip-Only + POV Kit.
Note that this is not a stand-alone product, it requires a Peak Design plate or kit for carrying devices. If you're new to Capture, you'll want to get the clip+plate SKU.
Features
EXPAND YOUR CARRY OPTIONS
With a 2nd Capture clip you can switch from backpack to belt carry instantly, or leave a clip permanently attached to your favorite pack.
CUSTOMIZE YOUR CARRY
Need Manfrotto RC2 compatibility? Want to carry binoculars, a GoPro, or a lens? Get the clip-only SKU and add any of our plates and adapter kits for a totally custom setup.
WORKS WITH ANY PLATE/KIT
When used with any of our adapter plates/kits, Capture (Clip Only) can carry cameras, lenses, GoPros, or binoculars.
INSTANT ACCESS
Instantly access camera with quick release button
TOTAL SECURITY
Redundant security lock prevents accidental release
WEATHERPROOF & WATER FRIENDLY
All parts are weatherproof and resist rust and saltwater
NEW FOR V3
WAY SMALLER
30% lighter, 20% narrower, 20% lower profile than Capture v2
ALL-METAL BUILD
Aluminum alloy chassis, backplate, quick-release button and stainless steel locking pin
ANODIZED FINISH
For increased durability and smoothness
GRIPPIER
Embedded grip in backplate for maximum slip resistance
2 SETS OF BOLTS
Thumb-drive bolts for easy clamping and unclamping
Hex-drive bolts for more secure/permanent installation or thicker straps
Specifications
Specifications
|
Clip Dimensions
|
8.3cm x 4cm x 2cm (3.3"x 1.6"x 0.79") |
|
Clip Weight
|
70g (2.5oz) with 2 thumbs screws |
|
Strength Rating
|
90kg (200lbs) |
MATERIALS
CNC-machined aluminum, black anodized finish, injection molded PVC pad, steel screws with oxide finish (hex drive bolts) and machined steel and aluminum assembled screws with anodized finish (hand drive bolts)
STRAP COMPATIBILITY
Fits any strap up to 6.4cm (2.5”) wide and 1.5cm (0.6") thick with standard thumbscrews or 2.2cm (0.88”) thick with included hex-head clamping bolts.
BACKWARDS COMPATIBILITY
Works with all legacy Peak Design plates except DUALplate v1 (discontinued 2014).
Only works with Pro Pad v2, not v1.
Included Standard Plate is not compatible with legacy Capture models (v1 and v2).
WARRANTY
Guaranteed for life
Item Includes
1 x Capture Clip
2 x hand drive bolts & 2 x hex drive long bolts
1 x 4mm hex wrench
1 x microfiber pouch
Peak Design Capture - Silver
$ 79.95
Peak Design Capture - Silver
Peak Design SKU: CP-S-3 | Helix SKU PDCPS3
Overview
The all-new Capture is the most secure, convenient, accessible way to carry your camera, period. Unlike a camera strap, Capture keeps your camera rigidly stable while hiking, biking, or moving around the studio. Unlike a camera bag, Capture keeps your camera instantly accessible with the click of a button. Includes 2 components: a metal clip that clamps to any backpack strap, belt, or bag, and an Arca tripod-compatible plate that screws into the bottom of your camera. Your camera locks into the clip, where it is held rigidly and securely. Press the lockable quick-release button to remove. Holds well over 200 lbs. (90kg), making it strong enough for the heaviest of pro camera/lens combinations.
V3 updates: Way smaller, way lighter, all-metal build, ultra-smooth machined/anodized finish, and ergonomic design.
Features
CLAMPS TO ANY STRAP
Connects to any strap up to 6.4 cm (2.5”) wide and 2.2cm (0.88") thick
TOTAL SECURITY
Redundant security lock prevents accidental release
INSTANT ACCESS
Instantly access camera with quick release button
CARRY ANY DEVICE
Carry binoculars, lenses, and GoPro cameras with additional plates/kits (sold separately)
TRIPOD COMPATIBLE
Includes Standard Plate, which works with most Arca-type tripods. Need Manfrotto® RC2 compatibility? Get Dual Plate Capture (Clip Only).
FAST LENS CHANGES
Camera locks into clip in 4 directions, enabling easier lens changes. Speed lens changes up even more with Lens Kit (sold separately)
WEATHERPROOF & WATER FRIENDLY
All parts are weatherproof and resist rust and saltwater
NEW FOR V3
WAY SMALLER
30% lighter, 20% narrower, 20% lower profile than Capture v2
ALL-METAL BUILD
Aluminum alloy chassis, backplate, quick-release button and stainless steel locking pin
ANODIZED FINISH
For increased durability and smoothness
GRIPPIER
Embedded grip in backplate for maximum slip resistance
2 SETS OF BOLTS
Thumb-drive bolts for easy clamping and unclamping
Hex-drive bolts for more secure/permanent installation or thicker straps
Specifications
Specifications
| Clip Dimensions | 8.3cm x 4cm x 2cm (3.3"x 1.6"x 0.79") |
| Plate Dimensions | 3.8cm x 3.8cm x 0.7cm (1.5"x 1.5"x 0.3") |
| Clip Weight | 70g (2.5oz) with 2 thumb screws |
| Plate Weight | 14g (0.5oz) |
| Total Weight | 84g (3oz) |
| Strength Rating | 90kg (200lbs) |
MATERIALS
CNC-machined aluminum, black anodized finish, injection molded PVC pad, steel screws with oxide finish (hex drive bolts) and machined steel and aluminum assembled screws with anodized finish (hand drive bolts)
STRAP COMPATIBILITY
Fits any strap up to 6.4cm (2.5”) wide and 1.5cm (0.6") thick with standard thumbscrews or 2.2cm (0.88”) thick with included hex-head clamping bolts.
BACKWARDS COMPATIBILITY
Works with all legacy Peak Design plates except DUALplate v1 (discontinued 2014).
Only works with Pro Pad v2, not v1.
Included Standard Plate is not compatible with legacy Capture models (v1 and v2).
WARRANTY
Guaranteed for life
Item Includes
- 1 x Capture Clip
- 1 x Standard Plate
- 2 x hand drive bolts & 2 x hex drive long bolts
- 1 x 4mm hex wrench
- 1 x microfiber pouch
Peak Design Cuff - Ash
$ 39.95
Peak Design Cuff - Ash
Peak Design SKU: CF-AS-3 | Helix SKU: PDCFAS3
Overview
The most elegant, unobtrusive way to protect your camera from accidental drops, Cuff camera wrist strap is total peace of mind in a tiny, low-profile package. Quickly and securely connect Cuff to any camera, binoculars, or other device using our unique Anchor Link system. Each Anchor holds over 200lbs (90kg), strong enough to keep the heaviest of pro rigs safe. Cuff’s wrist loop locks in the open position, or comfortably cinches down on your wrist for added security. When not in use, keep Cuff in your pocket or wrap it around your wrist and keep it there. An adjustable magnet holds the loose end of Cuff, so it’s right there when you need it. As of 2018, Cuff features upgraded webbing and totally revamped adjustment hardware. Anchor connectors have been updated to be smaller, faster, and more secure.
Features
NEW ADJUSTER
Anodized aluminum adjuster locks Cuff in an open position so you can easily fit your hand through or cinches to your wrist for more security.
Adjustable magnet clasp lets you wear Cuff as a bracelet by wrapping it around your wrist when not in use.
UPDATED ANCHORS
Comes with our newest V4 Anchor connectors, which hold 200lbs (90kg) each.
Angled shape enables effortless 1-handed connection.
SLIMMER LINKS
Anchor housing hardware is 25% slimmer.
UPGRADED WEBBING
Strap has increased durability, smoothness, and twist resistance.
REFINED AESTHETICS
Premium materials and redesigned touch/stress points.
AUTOMATIC DROP PROTECTION
If you drop your camera, Cuff automatically cinches down on your wrist.
NOT JUST FOR CAMERAS
Connect Cuff to binoculars, GoPros, rangefinders, tools, and more.
ULTRALIGHT AND COMPACT
Keep Cuff on your camera, on your wrist, or in your pocket. Cuff uses ultralight materials and hardware for total security with a minimal footprint.
SUPER STRONG
Strong enough to hold any pro camera/lens/accessory combo. Anchors each hold over 200lbs (90kg) and feature extreme abrasion-resistance.
FITS (ALMOST) ALL
Cuff's wrist loop can fit palms that are over 5 in (13 cm) wide.
Specifications
Specifications
| Strap Width | 19mm (0.75") |
| Wrist Loop Min Diameter | 46mm (1.8") |
| Wrist Loop Max Diameter | 97mm (3.8") |
| Strength Rating | 90kg (200lbs) |
MATERIALS:
Strap: Seatbelt-style nylon webbing, anodized aluminum adjuster hardware, Hypalon® and leather accents (leather on Ash only) Connectors: Glass-reinforced nylon Links with stainless steel springs, 2-layer anti-abrasion woven thermoplastic Anchor cord, thermoplastic Anchor overmolding
STRENGTH RATING
Anti-abrasion thermoplastic-corded Anchors can withstand over 200 lbs (90 kg), making Cuff safe for use with the largest of professional cameras.
MAGNET RATING
Adjustable magnetic clasp (for bracelet configuration) is safe for use around electronics.
WARRANTY
Guaranteed for life.
Item Includes
2 x Anchors (V4 Anchor Update Kit included)
1 x Cuff Camera Wrist Strap
1 x Microfiber Pouch
Peak Design Cuff - Black
$ 39.95
Peak Design Cuff - Black
Peak Design SKU: CF-BL-3 | Helix SKU: PDCFBL3
Overview
The most elegant, unobtrusive way to protect your camera from accidental drops, Cuff camera wrist strap is total peace of mind in a tiny, low-profile package. Quickly and securely connect Cuff to any camera, binoculars, or other device using our unique Anchor Link system. Each Anchor holds over 200lbs (90kg), strong enough to keep the heaviest of pro rigs safe. Cuff’s wrist loop locks in the open position, or comfortably cinches down on your wrist for added security. When not in use, keep Cuff in your pocket or wrap it around your wrist and keep it there. An adjustable magnet holds the loose end of Cuff, so it’s right there when you need it. As of 2018, Cuff features upgraded webbing and totally revamped adjustment hardware. Anchor connectors have been updated to be smaller, faster, and more secure.
Features
NEW ADJUSTER
Anodized aluminum adjuster locks Cuff in an open position so you can easily fit your hand through or cinches to your wrist for more security.
Adjustable magnet clasp lets you wear Cuff as a bracelet by wrapping it around your wrist when not in use.
UPDATED ANCHORS
Comes with our newest V4 Anchor connectors, which hold 200lbs (90kg) each.
Angled shape enables effortless 1-handed connection.
SLIMMER LINKS
Anchor housing hardware is 25% slimmer.
UPGRADED WEBBING
Strap has increased durability, smoothness, and twist resistance.
REFINED AESTHETICS
Premium materials and redesigned touch/stress points.
AUTOMATIC DROP PROTECTION
If you drop your camera, Cuff automatically cinches down on your wrist.
NOT JUST FOR CAMERAS
Connect Cuff to binoculars, GoPros, rangefinders, tools, and more.
ULTRALIGHT AND COMPACT
Keep Cuff on your camera, on your wrist, or in your pocket. Cuff uses ultralight materials and hardware for total security with a minimal footprint.
SUPER STRONG
Strong enough to hold any pro camera/lens/accessory combo. Anchors each hold over 200lbs (90kg) and feature extreme abrasion-resistance.
FITS (ALMOST) ALL
Cuff's wrist loop can fit palms that are over 5 in (13 cm) wide.
Specifications
Specifications
| Strap Width | 19mm (0.75") |
| Wrist Loop Min Diameter | 46mm (1.8") |
| Wrist Loop Max Diameter | 97mm (3.8") |
| Strength Rating | 90kg (200lbs) |
MATERIALS:
Strap: Seatbelt-style nylon webbing, anodized aluminum adjuster hardware, Hypalon® and leather accents (leather on Ash only) Connectors: Glass-reinforced nylon Links with stainless steel springs, 2-layer anti-abrasion woven thermoplastic Anchor cord, thermoplastic Anchor overmolding
STRENGTH RATING
Anti-abrasion thermoplastic-corded Anchors can withstand over 200 lbs (90 kg), making Cuff safe for use with the largest of professional cameras.
MAGNET RATING
Adjustable magnetic clasp (for bracelet configuration) is safe for use around electronics.
WARRANTY
Guaranteed for life.
Item Includes
2 x Anchors (V4 Anchor Update Kit included)
1 x Cuff Camera Wrist Strap
1 x Microfiber Pouch
Peak Design Cuff - Coyote
$ 39.95
Peak Design Cuff - Coyote
Peak Design SKU: CF-CY-3 | Helix SKU: PDCFCY3
Overview
The most elegant, unobtrusive way to protect your camera from accidental drops, Cuff camera wrist strap is total peace of mind in a tiny, low-profile package. Quickly and securely connect Cuff to any camera, binoculars, or other device using our unique Anchor Link system. Each Anchor holds over 200lbs (90kg), strong enough to keep the heaviest of pro rigs safe. Cuff’s wrist loop locks in the open position, or comfortably cinches down on your wrist for added security. When not in use, keep Cuff in your pocket or wrap it around your wrist and keep it there. An adjustable magnet holds the loose end of Cuff, so it’s right there when you need it. As of 2018, Cuff features upgraded webbing and totally revamped adjustment hardware. Anchor connectors have been updated to be smaller, faster, and more secure.
Features
NEW ADJUSTER
Anodized aluminum adjuster locks Cuff in an open position so you can easily fit your hand through or cinches to your wrist for more security.
Adjustable magnet clasp lets you wear Cuff as a bracelet by wrapping it around your wrist when not in use.
UPDATED ANCHORS
Comes with our newest V4 Anchor connectors, which hold 200lbs (90kg) each.
Angled shape enables effortless 1-handed connection.
SLIMMER LINKS
Anchor housing hardware is 25% slimmer.
UPGRADED WEBBING
Strap has increased durability, smoothness, and twist resistance.
REFINED AESTHETICS
Premium materials and redesigned touch/stress points.
AUTOMATIC DROP PROTECTION
If you drop your camera, Cuff automatically cinches down on your wrist.
NOT JUST FOR CAMERAS
Connect Cuff to binoculars, GoPros, rangefinders, tools, and more.
ULTRALIGHT AND COMPACT
Keep Cuff on your camera, on your wrist, or in your pocket. Cuff uses ultralight materials and hardware for total security with a minimal footprint.
SUPER STRONG
Strong enough to hold any pro camera/lens/accessory combo. Anchors each hold over 200lbs (90kg) and feature extreme abrasion-resistance.
FITS (ALMOST) ALL
Cuff's wrist loop can fit palms that are over 5 in (13 cm) wide.
Specifications
Specifications
| Strap Width | 19mm (0.75") |
| Wrist Loop Min Diameter | 46mm (1.8") |
| Wrist Loop Max Diameter | 97mm (3.8") |
| Strength Rating | 90kg (200lbs) |
MATERIALS:
Strap: Seatbelt-style nylon webbing, anodized aluminum adjuster hardware, Hypalon® and leather accents (leather on Ash only) Connectors: Glass-reinforced nylon Links with stainless steel springs, 2-layer anti-abrasion woven thermoplastic Anchor cord, thermoplastic Anchor overmolding
STRENGTH RATING
Anti-abrasion thermoplastic-corded Anchors can withstand over 200 lbs (90 kg), making Cuff safe for use with the largest of professional cameras.
MAGNET RATING
Adjustable magnetic clasp (for bracelet configuration) is safe for use around electronics.
WARRANTY
Guaranteed for life.
Item Includes
2 x Anchors (V4 Anchor Update Kit included)
1 x Cuff Camera Wrist Strap
1 x Microfiber Pouch
Peak Design Cuff - Eclipse
$ 39.95
Peak Design Cuff - Eclipse
Peak Design SKU: CF-EP-3 | Helix SKU: PDCFEP3
Overview
The most elegant, unobtrusive way to protect your camera from accidental drops, Cuff camera wrist strap is total peace of mind in a tiny, low-profile package. Quickly and securely connect Cuff to any camera, binoculars, or other device using our unique Anchor Link system. Each Anchor holds over 200lbs (90kg), strong enough to keep the heaviest of pro rigs safe. Cuff’s wrist loop locks in the open position, or comfortably cinches down on your wrist for added security. When not in use, keep Cuff in your pocket or wrap it around your wrist and keep it there. An adjustable magnet holds the loose end of Cuff, so it’s right there when you need it. As of 2018, Cuff features upgraded webbing and totally revamped adjustment hardware. Anchor connectors have been updated to be smaller, faster, and more secure.
Features
NEW ADJUSTER
Anodized aluminum adjuster locks Cuff in an open position so you can easily fit your hand through or cinches to your wrist for more security.
Adjustable magnet clasp lets you wear Cuff as a bracelet by wrapping it around your wrist when not in use.
UPDATED ANCHORS
Comes with our newest V4 Anchor connectors, which hold 200lbs (90kg) each.
Angled shape enables effortless 1-handed connection.
SLIMMER LINKS
Anchor housing hardware is 25% slimmer.
UPGRADED WEBBING
Strap has increased durability, smoothness, and twist resistance.
REFINED AESTHETICS
Premium materials and redesigned touch/stress points.
AUTOMATIC DROP PROTECTION
If you drop your camera, Cuff automatically cinches down on your wrist.
NOT JUST FOR CAMERAS
Connect Cuff to binoculars, GoPros, rangefinders, tools, and more.
ULTRALIGHT AND COMPACT
Keep Cuff on your camera, on your wrist, or in your pocket. Cuff uses ultralight materials and hardware for total security with a minimal footprint.
SUPER STRONG
Strong enough to hold any pro camera/lens/accessory combo. Anchors each hold over 200lbs (90kg) and feature extreme abrasion-resistance.
FITS (ALMOST) ALL
Cuff's wrist loop can fit palms that are over 5 in (13 cm) wide.
Specifications
Specifications
| Strap Width | 19mm (0.75") |
| Wrist Loop Min Diameter | 46mm (1.8") |
| Wrist Loop Max Diameter | 97mm (3.8") |
| Strength Rating | 90kg (200lbs) |
MATERIALS:
Strap: Seatbelt-style nylon webbing, anodized aluminum adjuster hardware, Hypalon® and leather accents (leather on Ash only) Connectors: Glass-reinforced nylon Links with stainless steel springs, 2-layer anti-abrasion woven thermoplastic Anchor cord, thermoplastic Anchor overmolding
STRENGTH RATING
Anti-abrasion thermoplastic-corded Anchors can withstand over 200 lbs (90 kg), making Cuff safe for use with the largest of professional cameras.
MAGNET RATING
Adjustable magnetic clasp (for bracelet configuration) is safe for use around electronics.
WARRANTY
Guaranteed for life.
Item Includes
2 x Anchors (V4 Anchor Update Kit included)
1 x Cuff Camera Wrist Strap
1 x Microfiber Pouch
Peak Design Cuff - Kelp
$ 39.95
Peak Design Cuff - Kelp
Peak Design SKU: CF-KP-3 | Helix SKU: PDCFKP3
Overview
The most elegant, unobtrusive way to protect your camera from accidental drops, Cuff camera wrist strap is total peace of mind in a tiny, low-profile package. Quickly and securely connect Cuff to any camera, binoculars, or other device using our unique Anchor Link system. Each Anchor holds over 200lbs (90kg), strong enough to keep the heaviest of pro rigs safe. Cuff’s wrist loop locks in the open position, or comfortably cinches down on your wrist for added security. When not in use, keep Cuff in your pocket or wrap it around your wrist and keep it there. An adjustable magnet holds the loose end of Cuff, so it’s right there when you need it. As of 2018, Cuff features upgraded webbing and totally revamped adjustment hardware. Anchor connectors have been updated to be smaller, faster, and more secure.
Features
NEW ADJUSTER
Anodized aluminum adjuster locks Cuff in an open position so you can easily fit your hand through or cinches to your wrist for more security.
Adjustable magnet clasp lets you wear Cuff as a bracelet by wrapping it around your wrist when not in use.
UPDATED ANCHORS
Comes with our newest V4 Anchor connectors, which hold 200lbs (90kg) each.
Angled shape enables effortless 1-handed connection.
SLIMMER LINKS
Anchor housing hardware is 25% slimmer.
UPGRADED WEBBING
Strap has increased durability, smoothness, and twist resistance.
REFINED AESTHETICS
Premium materials and redesigned touch/stress points.
AUTOMATIC DROP PROTECTION
If you drop your camera, Cuff automatically cinches down on your wrist.
NOT JUST FOR CAMERAS
Connect Cuff to binoculars, GoPros, rangefinders, tools, and more.
ULTRALIGHT AND COMPACT
Keep Cuff on your camera, on your wrist, or in your pocket. Cuff uses ultralight materials and hardware for total security with a minimal footprint.
SUPER STRONG
Strong enough to hold any pro camera/lens/accessory combo. Anchors each hold over 200lbs (90kg) and feature extreme abrasion-resistance.
FITS (ALMOST) ALL
Cuff's wrist loop can fit palms that are over 5 in (13 cm) wide.
Specifications
Specifications
| Strap Width | 19mm (0.75") |
| Wrist Loop Min Diameter | 46mm (1.8") |
| Wrist Loop Max Diameter | 97mm (3.8") |
| Strength Rating | 90kg (200lbs) |
MATERIALS:
Strap: Seatbelt-style nylon webbing, anodized aluminum adjuster hardware, Hypalon® and leather accents (leather on Ash only) Connectors: Glass-reinforced nylon Links with stainless steel springs, 2-layer anti-abrasion woven thermoplastic Anchor cord, thermoplastic Anchor overmolding
STRENGTH RATING
Anti-abrasion thermoplastic-corded Anchors can withstand over 200 lbs (90 kg), making Cuff safe for use with the largest of professional cameras.
MAGNET RATING
Adjustable magnetic clasp (for bracelet configuration) is safe for use around electronics.
WARRANTY
Guaranteed for life.
Item Includes
2 x Anchors (V4 Anchor Update Kit included)
1 x Cuff Camera Wrist Strap
1 x Microfiber Pouch
Peak Design Cuff - Sage
$ 39.95
Peak Design Cuff - Sage
Peak Design SKU: CF-SG-3 | Helix SKU: PDCFSG3
Overview
The most elegant, unobtrusive way to protect your camera from accidental drops, Cuff camera wrist strap is total peace of mind in a tiny, low-profile package. Quickly and securely connect Cuff to any camera, binoculars, or other device using our unique Anchor Link system. Each Anchor holds over 200lbs (90kg), strong enough to keep the heaviest of pro rigs safe. Cuff’s wrist loop locks in the open position, or comfortably cinches down on your wrist for added security. When not in use, keep Cuff in your pocket or wrap it around your wrist and keep it there. An adjustable magnet holds the loose end of Cuff, so it’s right there when you need it. As of 2018, Cuff features upgraded webbing and totally revamped adjustment hardware. Anchor connectors have been updated to be smaller, faster, and more secure.
Features
NEW ADJUSTER
Anodized aluminum adjuster locks Cuff in an open position so you can easily fit your hand through or cinches to your wrist for more security.
Adjustable magnet clasp lets you wear Cuff as a bracelet by wrapping it around your wrist when not in use.
UPDATED ANCHORS
Comes with our newest V4 Anchor connectors, which hold 200lbs (90kg) each.
Angled shape enables effortless 1-handed connection.
SLIMMER LINKS
Anchor housing hardware is 25% slimmer.
UPGRADED WEBBING
Strap has increased durability, smoothness, and twist resistance.
REFINED AESTHETICS
Premium materials and redesigned touch/stress points.
AUTOMATIC DROP PROTECTION
If you drop your camera, Cuff automatically cinches down on your wrist.
NOT JUST FOR CAMERAS
Connect Cuff to binoculars, GoPros, rangefinders, tools, and more.
ULTRALIGHT AND COMPACT
Keep Cuff on your camera, on your wrist, or in your pocket. Cuff uses ultralight materials and hardware for total security with a minimal footprint.
SUPER STRONG
Strong enough to hold any pro camera/lens/accessory combo. Anchors each hold over 200lbs (90kg) and feature extreme abrasion-resistance.
FITS (ALMOST) ALL
Cuff's wrist loop can fit palms that are over 5 in (13 cm) wide.
Specifications
Specifications
| Strap Width | 19mm (0.75") |
| Wrist Loop Min Diameter | 46mm (1.8") |
| Wrist Loop Max Diameter | 97mm (3.8") |
| Strength Rating | 90kg (200lbs) |
MATERIALS:
Strap: Seatbelt-style nylon webbing, anodized aluminum adjuster hardware, Hypalon® and leather accents (leather on Ash only) Connectors: Glass-reinforced nylon Links with stainless steel springs, 2-layer anti-abrasion woven thermoplastic Anchor cord, thermoplastic Anchor overmolding
STRENGTH RATING
Anti-abrasion thermoplastic-corded Anchors can withstand over 200 lbs (90 kg), making Cuff safe for use with the largest of professional cameras.
MAGNET RATING
Adjustable magnetic clasp (for bracelet configuration) is safe for use around electronics.
WARRANTY
Guaranteed for life.
Item Includes
2 x Anchors (V4 Anchor Update Kit included)
1 x Cuff Camera Wrist Strap
1 x Microfiber Pouch
Peak Design Everyday Backpack 15L Zip - Ash
$ 199.95 - Épuisé
Peak Design Everyday Backpack 15L Zip - Ash
Peak Design SKU: BEDBZ-15-AS-2 | Helix SKU: PDBEDBZ15AS2
Overview
A visually and functionally simpler version of the Everyday Backpack, the Everyday Backpack Zip's ultra-clean aesthetic makes it ideal for discreet urban everyday or photo carry. Accessible on the top and sides via a single weatherproof 270-degree ultra-durable #8 zip. 2 internal FlexFold dividers keep gear organized, protected, and not bunched at the bottom of your bag. Dedicated sleeves for up to 15” laptop (or 16" MacBook Pro), tablet, or documents, plus a variety of internal slip pockets for small items. 100% recycled 400D weatherproof shell keeps everything safe. Expandable side pockets for water bottles or tripod. Integrated luggage carry pass-through. 2 stowable cinch straps let you carry more externally. All-custom hardware, minimal dangling straps.
Features:
ULTIMATE COMFORT
- Vented, quick-drying mesh back padding for breathable comfort
- Shoulder straps pivot at axial points to optimize comfort with all body types
- Quick-connecting, stowable sternum strap
TRAVEL-FRIENDLY
- Luggage pass-through for easy and secure roller-top carry
- 3 padded grab handles for upright or briefcase style hand carry
- Padded, stowable waist belt available (sold separately)
WEATHERPROOF
Weatherproof, 100% recycled 400D nylon canvas shell is DWR impregnated, double PU-coated.
INSTANT ACCESS
- Top and dual side access via a single 270-degree wrap-around zipper
- Extra-durable UltraZip design
CUSTOM ORGANIZATION
Brilliantly customizable and protective internal organization via 2 easy-to-configure FlexFold dividers
LAPTOP SLEEVE
- Protective laptop sleeve with pockets for tablets and documents
- 15L holds 13” laptop, 20L holds 15” laptop
- Adjustable for easy access to smaller laptops (20L only)
POCKETS FOR DAYS
- Stretchy, waterproof internal side and top pockets for cards, cords, and peripherals
- 3 internal slip pockets for wallet, passport, and important items
- Dual external side pockets stretch to fit water bottles, tripods, etc
EXTERNAL CARRY
- 2 external carry straps for cinching down bulky items via Cord Hook system
- Quick-connecting, stowable sternum strap
HIPBELT ACCESSORY
A padded, stowable HipBelt Accessory is available for purchase for those who want added stability and comfort with heavy loads.
EXAMPLE CAMERA CARRY
- Mirrorless camera body/lens + 3-4 extra lenses & accessories
- DJI Mavic drone + controller, batteries, charger
- Crop-sensor DSLR/lens + 2-3 extra lenses & accessories
- DLSR camera body/lens + 1-2 extra lens
- Fits a full-frame DSLR + 70-200 pro lens + another lens and/or accessories
Specifications
Specifications
| Capacity | 15L |
| Weight with Dividers | 2.95lbs (1.34kg) |
| Weight without Dividers | 2.51lbs (1.14kg) |
| External Height | 16.5" (42cm) |
| External Top Width | 10.24" (26cm) |
| External Bottom Width | 11.1" (28cm) |
| External Top Depth | 7.87" (20cm) |
| External Bottom Depth | 5.51" (14cm) |
| Internal Height | 14.57" (37cm) |
| Internal Top Width | 9.45" (24cm) |
| Internal Bottom Width | 8.67" (22cm) |
| Internal Top Depth | 6.3" (16cm) |
| Internal Bottom Depth | 4.74" (12cm) |
MAX LAPTOP CARRY
22.9cm x 2.5cm x 33cm (9" x 1" x 13")
Holds 13” Macbook Pro
No dedicated tablet sleeve
MATERIALS
- 400D double poly-coated DWR-impregnated nylon canvas shell
- 100% recycled post-consumer material
- 900D waterproof bottom liner
- High-visibility grey nylon interior
- Hardware is anodized aluminum and glass-reinforced nylon
- Super-durable UltraZips
- Accents in leather (Ash, Midnight, Bone) or Hypalon (Black)
Item Includes
- 1 Everyday Backpack Zip
- 2 FlexFold dividers
- 1 Sternum Strap
- 1 Anchor Link key tether
- 2 Cord Hook long external carry straps
Peak Design Everyday Backpack 15L Zip - Black
$ 199.95 - Épuisé
Peak Design Everyday Backpack 15L Zip - Black
Peak Design SKU: BEDBZ-15-BK-2 | Helix SKU: PDBEDBZ15BK2
Overview
A visually and functionally simpler version of the Everyday Backpack, the Everyday Backpack Zip's ultra-clean aesthetic makes it ideal for discreet urban everyday or photo carry. Accessible on the top and sides via a single weatherproof 270-degree ultra-durable #8 zip. 2 internal FlexFold dividers keep gear organized, protected, and not bunched at the bottom of your bag. Dedicated sleeves for up to 15” laptop (or 16" MacBook Pro), tablet, or documents, plus a variety of internal slip pockets for small items. 100% recycled 400D weatherproof shell keeps everything safe. Expandable side pockets for water bottles or tripod. Integrated luggage carry pass-through. 2 stowable cinch straps let you carry more externally. All-custom hardware, minimal dangling straps.
Features:
ULTIMATE COMFORT
- Vented, quick-drying mesh back padding for breathable comfort
- Shoulder straps pivot at axial points to optimize comfort with all body types
- Quick-connecting, stowable sternum strap
TRAVEL-FRIENDLY
- Luggage pass-through for easy and secure roller-top carry
- 3 padded grab handles for upright or briefcase style hand carry
- Padded, stowable waist belt available (sold separately)
WEATHERPROOF
Weatherproof, 100% recycled 400D nylon canvas shell is DWR impregnated, double PU-coated.
INSTANT ACCESS
- Top and dual side access via a single 270-degree wrap-around zipper
- Extra-durable UltraZip design
CUSTOM ORGANIZATION
Brilliantly customizable and protective internal organization via 2 easy-to-configure FlexFold dividers
LAPTOP SLEEVE
- Protective laptop sleeve with pockets for tablets and documents
- 15L holds 13” laptop, 20L holds 15” laptop
- Adjustable for easy access to smaller laptops (20L only)
POCKETS FOR DAYS
- Stretchy, waterproof internal side and top pockets for cards, cords, and peripherals
- 3 internal slip pockets for wallet, passport, and important items
- Dual external side pockets stretch to fit water bottles, tripods, etc
EXTERNAL CARRY
- 2 external carry straps for cinching down bulky items via Cord Hook system
- Quick-connecting, stowable sternum strap
HIPBELT ACCESSORY
A padded, stowable HipBelt Accessory is available for purchase for those who want added stability and comfort with heavy loads.
EXAMPLE CAMERA CARRY
- Mirrorless camera body/lens + 3-4 extra lenses & accessories
- DJI Mavic drone + controller, batteries, charger
- Crop-sensor DSLR/lens + 2-3 extra lenses & accessories
- DLSR camera body/lens + 1-2 extra lens
- Fits a full-frame DSLR + 70-200 pro lens + another lens and/or accessories
Specifications
Specifications
| Capacity | 15L |
| Weight with Dividers | 2.95lbs (1.34kg) |
| Weight without Dividers | 2.51lbs (1.14kg) |
| External Height | 16.5" (42cm) |
| External Top Width | 10.24" (26cm) |
| External Bottom Width | 11.1" (28cm) |
| External Top Depth | 7.87" (20cm) |
| External Bottom Depth | 5.51" (14cm) |
| Internal Height | 14.57" (37cm) |
| Internal Top Width | 9.45" (24cm) |
| Internal Bottom Width | 8.67" (22cm) |
| Internal Top Depth | 6.3" (16cm) |
| Internal Bottom Depth | 4.74" (12cm) |
MAX LAPTOP CARRY
22.9cm x 2.5cm x 33cm (9" x 1" x 13")
Holds 13” Macbook Pro
No dedicated tablet sleeve
MATERIALS
- 400D double poly-coated DWR-impregnated nylon canvas shell
- 100% recycled post-consumer material
- 900D waterproof bottom liner
- High-visibility grey nylon interior
- Hardware is anodized aluminum and glass-reinforced nylon
- Super-durable UltraZips
- Accents in leather (Ash, Midnight, Bone) or Hypalon (Black)
Item Includes
- 1 Everyday Backpack Zip
- 2 FlexFold dividers
- 1 Sternum Strap
- 1 Anchor Link key tether
- 2 Cord Hook long external carry straps
Peak Design Everyday Backpack 15L Zip - Bone
$ 199.95 - Épuisé
Peak Design Everyday Backpack 15L Zip - Bone
Peak Design SKU: BEDBZ-15-BO-2 | Helix SKU: PDBEDBZ15BO2
Overview
A visually and functionally simpler version of the Everyday Backpack, the Everyday Backpack Zip's ultra-clean aesthetic makes it ideal for discreet urban everyday or photo carry. Accessible on the top and sides via a single weatherproof 270-degree ultra-durable #8 zip. 2 internal FlexFold dividers keep gear organized, protected, and not bunched at the bottom of your bag. Dedicated sleeves for up to 15” laptop (or 16" MacBook Pro), tablet, or documents, plus a variety of internal slip pockets for small items. 100% recycled 400D weatherproof shell keeps everything safe. Expandable side pockets for water bottles or tripod. Integrated luggage carry pass-through. 2 stowable cinch straps let you carry more externally. All-custom hardware, minimal dangling straps.
Features:
ULTIMATE COMFORT
- Vented, quick-drying mesh back padding for breathable comfort
- Shoulder straps pivot at axial points to optimize comfort with all body types
- Quick-connecting, stowable sternum strap
TRAVEL-FRIENDLY
- Luggage pass-through for easy and secure roller-top carry
- 3 padded grab handles for upright or briefcase style hand carry
- Padded, stowable waist belt available (sold separately)
WEATHERPROOF
Weatherproof, 100% recycled 400D nylon canvas shell is DWR impregnated, double PU-coated.
INSTANT ACCESS
- Top and dual side access via a single 270-degree wrap-around zipper
- Extra-durable UltraZip design
CUSTOM ORGANIZATION
Brilliantly customizable and protective internal organization via 2 easy-to-configure FlexFold dividers
LAPTOP SLEEVE
- Protective laptop sleeve with pockets for tablets and documents
- 15L holds 13” laptop, 20L holds 15” laptop
- Adjustable for easy access to smaller laptops (20L only)
POCKETS FOR DAYS
- Stretchy, waterproof internal side and top pockets for cards, cords, and peripherals
- 3 internal slip pockets for wallet, passport, and important items
- Dual external side pockets stretch to fit water bottles, tripods, etc
EXTERNAL CARRY
- 2 external carry straps for cinching down bulky items via Cord Hook system
- Quick-connecting, stowable sternum strap
HIPBELT ACCESSORY
A padded, stowable HipBelt Accessory is available for purchase for those who want added stability and comfort with heavy loads.
EXAMPLE CAMERA CARRY
- Mirrorless camera body/lens + 3-4 extra lenses & accessories
- DJI Mavic drone + controller, batteries, charger
- Crop-sensor DSLR/lens + 2-3 extra lenses & accessories
- DLSR camera body/lens + 1-2 extra lens
- Fits a full-frame DSLR + 70-200 pro lens + another lens and/or accessories
Specifications
Specifications
| Capacity | 15L |
| Weight with Dividers | 2.95lbs (1.34kg) |
| Weight without Dividers | 2.51lbs (1.14kg) |
| External Height | 16.5" (42cm) |
| External Top Width | 10.24" (26cm) |
| External Bottom Width | 11.1" (28cm) |
| External Top Depth | 7.87" (20cm) |
| External Bottom Depth | 5.51" (14cm) |
| Internal Height | 14.57" (37cm) |
| Internal Top Width | 9.45" (24cm) |
| Internal Bottom Width | 8.67" (22cm) |
| Internal Top Depth | 6.3" (16cm) |
| Internal Bottom Depth | 4.74" (12cm) |
MAX LAPTOP CARRY
22.9cm x 2.5cm x 33cm (9" x 1" x 13")
Holds 13” Macbook Pro
No dedicated tablet sleeve
MATERIALS
- 400D double poly-coated DWR-impregnated nylon canvas shell
- 100% recycled post-consumer material
- 900D waterproof bottom liner
- High-visibility grey nylon interior
- Hardware is anodized aluminum and glass-reinforced nylon
- Super-durable UltraZips
- Accents in leather (Ash, Midnight, Bone) or Hypalon (Black)
Item Includes
- 1 Everyday Backpack Zip
- 2 FlexFold dividers
- 1 Sternum Strap
- 1 Anchor Link key tether
- 2 Cord Hook long external carry straps
