$ 449.95 - Sold Out
Fuji SKU: 16514118 | Helix SKU: FJ16514118
With cameras equipped with a focal plane shutter, when the shutter speed is high, the first and second shutter curtains move across at the same time, making the exposure through a narrow vertical slit between them. Because of this, light from a conventional flash can only reach a small section of the sensor. This is why a slower shutter speed must be used in flash photography, with the range of available shutter speeds severely limited.
EF-X500 supports the FP mode (high-speed flash sync), in which the flash outputs continuous light while the first and second curtains travel across the sensor, thereby enabling flash photography at any shutter speed.
When shooting with a near-maximum aperture to create beautiful bokeh, the shutter speed tends to go higher. This flash mode frees photographers from having to be conscious about shutter speed limitations, and instead allows them to focus on shooting.
EF-X500 can be used in multi-flash setup to freely control light on a subject and background for a creative result. TTL lighting control is available with single flash and also in the multi-flash setup, so that you can start shooting without having to make cumbersome adjustments to light output.
Multiple flashes can be controlled in up to three groups, each of which can be set up to have different light output, allowing you to fine-tune the space of light. As the light output can also be adjusted from the camera, you don’t need to set it down for lighting control.
Dust-resistant and water-resistant capabilities expanding the scope of photographic fields when used with X Series cameras
The front side of EF-X500's main body is applied with leather texture to compliment the design of the X Series cameras. It is designed with low center of gravity to maintain ease of operation when mounted on the X Series cameras, known for their lightweight and compact bodies.
The external battery pack "EF-BP1" takes eight AA batteries to shorten charging time and improve the number of flashes per charge.
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Charge |
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Wireless multi-flash system |
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Soft case |
Power source |
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$ 49.95 - Sold Out
Fujifilm SKU: 16144559 | Helix SKU: FJ16144559
This adapter ring allows the use of 49mm filters to be used on Fujifilm X100, X100T, X100S, X100F & X100V digital cameras.
$ 199.95
Combining great performance and value, the Fujinon 7x50 WP-XL Mariner Binocular is their entry-level boating binocular. It has multicoated lenses, a tough polycarbonate exterior, and a weight which is remarkably low for a 7x50 waterproof & fogproof optic. In fact, this rubber armored unit will actually float in water when the included strap is attached.
Prism Type | Porro |
Magnification | 7x |
Objective Lens Diameter | 50mm |
Angle of View | 7.5° |
Field-of-View | 394' @ 1000 yd / 130.81 m @ 1000 m |
Minimum Focus Distance | Not Specified By Manufacturer |
Exit Pupil Diameter | 7.1 mm |
Eye Relief | 18 mm |
Interpupillary Adjustment | 56 - 72 mm / 2.20 - 2.83" |
Focus Type | Individual |
Tripod Mount | None |
Dimensions | 7.2 x 2.5 x 7.0" / 18.29 x 6.35 x 17.78 cm |
Weight | 28.78 oz / 816 g |
$ 229.95
Fuji SKU: 16366963 | Helix SKU: FJ16366963
Marine binoculars that are ideal for marine leisure activities. Designed primarily for use on boats, these binoculars are waterproof, lightweight and rugged. The combination of reasonable price and high functionality makes these binoculars ideal for use not only on the water, but everywhere else as well.
Magnification | 7 |
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Object Lens Diameter | 50 mm |
Eye Relief | 18 mm |
Diopter adjustment | ± 4 m -1 |
Apparent Field of View | 7° |
Apparent Field at 1,000m | 122 m |
Exit Pupil Diameter | 7.1 mm |
Relative Brightness | 51 |
Interpupillary Distance | 56 - 72 mm |
Dimensions (Length × Width × Height) |
178 mm × 200 mm (Max. Width) × 76 mm |
Weight | 910 g |
$ 69.95 - Sold Out
Fuji SKU: 16528470 | Helix SKU: FJ16528470
Compatible With:
Fuji X-H1
X-Pro2
X-Pro1
X-T3
X-T2
X-T1
X-T30 II
X-T30
X-T20
X-T10
X-E2S
X-E2
X-E1
X-M1
X-A2
X-A1
X100F
FinePix HS50EXR
HS30EXR
HS33EXR
$ 849.95 - Sold Out
Fuji SKU: 16330768 | Helix SKU: FJ16330768
The POLARIS™ Series offers six models and are the pinnacle of performance with a reputation of providing outstanding optics at a reasonable cost. FUJINON POLARIS series binoculars offer superb optical performance and value. The FUJINON POLARIS series binoculars deploy FUJINON'S unique EBC coating, allowing 95% light transmission. With our field flattener lens, we offer edge-to-edge sharpness, free of any discernible astigmatism or distortion.
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10x50 |
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Magnification | 10x |
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Objective Lens | 50mm |
Eye Relief | 19.8mm |
FOV @1000 yds | 341' |
Exit Pupil | 5mm |
Weight | 3.46 lbs |
Coating | FMC & EBC |
$ 1,049.95 - Sold Out
Fuji SKU: 16330665 | Helix SKU: FJ16330665
The POLARIS™ Series offers six models and are the pinnacle of performance with a reputation of providing outstanding optics at a reasonable cost. FUJINON POLARIS series binoculars offer superb optical performance and value. The FUJINON POLARIS series binoculars deploy FUJINON'S unique EBC coating, allowing 95% light transmission. With our field flattener lens, we offer edge-to-edge sharpness, free of any discernible astigmatism or distortion.
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16x70 |
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Magnification | 16x |
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Objective Lens | 70mm |
Eye Relief | 15.5mm |
FOV @1000 yds | 210' |
Exit Pupil | 4.38mm |
Weight | 4.2 lbs |
Coating | FMC & EBC |
$ 549.95
$ 549.95
$ 549.95
$ 849.95 - Sold Out
FujiFilm SKU: 16499239 | Helix SKU: FJ16499239
From Film Simulation to improved performance and faster autofocus - FUJIFILM X-E2S enables you to capture your vision as true-to-life a way as possible. The improved grip, silent electronic shutter and a more intuitive GUI make this an excellent addition to a photographer’s kit.
The FUJIFILM X-E2S is equipped with a 2.36M-dot organic EL electronic viewfinder with 100% coverage. The display is incredibly clear thanks to an optical structure using two glass lenses and one double-sided aspherical lens. Also, since effects such as Film Simulation and exposure compensation can be applied, you can check how an image will look in real time.
It is also possible to display natural tones, just as the naked eye would, by turning the preview picture effects off.
The X-E2S has a viewfinder magnification of 0.62x, making it larger and clearer than entry-level SLR cameras.
Due to the X-Trans CMOS II sensor architecture that eliminates the need for an optical low-pass filter (OLPF) and integrates FUJFILM's originally developed color filter array, the FUJIFILM X-E2S reproduces scenes with resolution and clarity rivaling a larger sensor.
X-Trans CMOS II sensor incorporates an original color filter array with a highly random pattern, eliminating the need for an optical low-pass filter (OLPF). These filters are used in conventional systems to inhibit moiré at the expense of resolution. The X-Trans CMOS II sensor array lets the sensor capture unfiltered light from the lens, achieving an unprecedented level of resolution.
Over decades of film manufacture Fujifilm has perfected the skill of color reproduction and it lives on in the FUJIFILM X-E2S. Pleasing skin tones, natural blues and greens, and the ability to perfectly record the diversity of white balance conditions throughout the day are all taken in the camera's stride, and it also boasts a wide dynamic range for better reproduction of detail.
Film Simulation, perfected through Fujifilm's passion and philosophy of color reproduction over 80 years of photographic film manufacturing, allows users to create the colors and tones of photographic film, delivering high quality results with ease. If you shoot RAW, the in-camera RAW processing function enables any of the 11 Film Simulation options to be applied post-capture, broadening your shooting options.
Model Name | FUJIFILM X-E2S |
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Number of effective pixels | 16.3 million pixels |
Image sensor | 23.6mm x 15.6mm (APS-C) X-Trans CMOS II with primary color filter Total number of pixels: 16.7 million pixels
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Storage media | SD memory card / SDHC memory card / SDXC (UHS-I) memory card*1 |
File format |
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Number of recorded pixels |
L: (3:2) 4896 x 3264 / (16:9) 4896 x 2760 / (1:1) 3264 x 3264 <Motion Panorama> |
Lens mount | FUJIFILM X mount |
Sensitivity | AUTO1/AUTO2/AUTO3 (Control available up to ISO 6400) Equivalent to ISO 200 - 6400 (Standard Output Sensitivity) Extended output sensitivity : Equivalent ISO 100, 12800, 25600 and 51200 |
Exposure control | TTL 256-zone metering, Multi / Spot / Average |
Exposure mode | Programmed AE / Shutter Speed priority AE / Aperture priority AE / Manual exposure |
Exposure compensation | -3.0EV - +3.0EV, 1/3EV step (movie recording : -2.0EV - +2.0EV) |
Image Stabilizer | Supported with OIS type lenses |
Face Detection | Yes |
Shutter type | Focal Plane Shutter |
Shutter speed | (Electronic Shutter mode) 1sec. to 1/32000sec. *3 (P mode) 4sec. to 1/4000sec., (All other modes) 30sec. to 1/4000sec., Time 30sec. to 1/4000sec., Bulb (max.60min.), Synchronized shutter speed for flash : 1/180sec. or slower |
Continuous shooting | Approx. 7.0 fps (JPEG : max. approx. 18 frames) Approx. 3.0 fps (JPEG : up to the capacity of the card)
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Auto bracketing | AE Bracketing (±1/3EV, ±2/3EV, ±1EV) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100% · 200% · 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) |
Focus |
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White balance | Automatic scene recognition Custom / Color temperature selection (K) Preset : Fine / Shade / Fluorescent light (Daylight) / Fluorescent light (Warm White) / Fluorescent light (Cool White) / Incandescent light / Underwater |
Self-timer | 10 sec. / 2 sec. Delay |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Startinng time) |
Flash | Manual pop-up flash (Super Intelligent Flash) Guide number : approx. 5 (ISO100 · m) / approx. 7 (ISO200 · m) |
Flash modes | Activated when external flash is connected
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Hot shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder | 0.5-in., approx. 2.360K-dot OLED color viewfinder Coverage of viewing area vs. capturing area : approx. 100% Eye point : approx. 23mm (from the rear end of the camera's eyepiece) Diopter adjustment : -4m-1 to +2m-1 Magnification : 0.62x with 50mm lens (35mm format equivalent) at infinity and diopter set to - 1.0m-1 Diagonal angle of view : approx. 30° (Horizontal angle of view : approx. 25°) Built-in eye sensor |
LCD monitor | 3.0-inch, aspect ratio 3:2, approx. 1,040K-dot, color LCD monitor (approx. 100% coverage) |
Movie recording | Full HD 1920 x 1080 60p / 50p / 30p / 25p / 24p, Continuous recording : up to approx. 14 min. HD 1280 x 720 60p / 50p / 30p / 25p / 24p, Continuous recording : up to approx. 27 min.
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Photography functions | Advanced SR AUTO, Eye detection AF, Face Detection, Interval timer shooting, Auto Red-eye Removal, Select custom setting, Motion panorama, Color space, Setting (Color, Sharpness, D-range, Gradation), Film Simulation, Advanced Filter, Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Lens Modulatioon Optimizer, Pre-AF, Focus check, Focus Peak Highlight, Digital Split Image™ *4, Electronic level, Multiple exposure, Release priority / Focus priority selection, Fn button setting (RAW, Movie, etc.), ISO AUTO control, Instant AF setting (AF-S/AF-C), Interlock spot AE & Focus area, Selector button setting, AE-L/AF-L button setting, Edit/Save quick menu, Shutter Type |
Film Simulation mode | 11 type (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg Hi, PRO Neg. Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA) |
Dynamic range setting | AUTO, 100%, 200%, 400% |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
Playback functions | RAW conversion, Image rotate, Auto image rotate, Face Detection, Red-eye reduction, Photobook assist, Erase selected frames, Image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favorites |
Wireless transmitter |
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Wireless function | Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print |
Other functions | PictBridge, Exif Print, 35 Languages, Date/Time, Time difference, Sound & Flash, High Performance, Preview exp. in Manual mode, EVF Brightness, EVF Color, LCD Brightness, LCD Color, Preview Pic. Effect, DISP. Custom Setting |
Terminal |
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Power supply | NP-W126 Li-ion battery (included) |
Dimensions | 129mm (W) x 74.9mm (H) x 37.2mm (D) / 5.08in. (W) x 2.95in. (H) x 1.47in. (D) (Minimum Depth : 30.9mm / 1.22 in.) |
Weight | Approx. 350g / 12.3 oz. (including battery and memory card) Approx. 300g / 10.6 oz. (excluding accessories, battery and memory card) |
Operating Temperature | 0°C - 40°C (+32°F - +104°F) |
Operating Humidity | 10 - 80% (no condensation) |
Battery life for still images*5 | Approx. 350 frames (When XF35mmF1.4 R is set, LCD monitor on) |
Battery life for movies*5 | Consecutive movie recording : approx. 110 min. (Face detection is set to OFF)
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Starting up period | Approx. 0.5 sec., when High Performance mode set to ON Approx. 1.0 sec., when High Performance mode set to OFF
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Accessories included | Li-ion battery NP-W126 Battery charger BC-W126 Shoulder strap Body cap Metal strap clip Protective cover Clip attaching tool Owner's manual |
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
Modes | Still image (L) | ||
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Number of recorded pixels | 4896 x 3264 (3:2) | ||
Quality | JPEG FINE | JPEG NORMAL | |
SDHC memory card | 8 GB | 1210 | 1910 |
16 GB | 2494 | 3951 |
Modes | Still image (M) | ||
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Number of recorded pixels | 3456 x 2304 (3:2) | ||
Quality | JPEG FINE | JPEG NORMAL | |
SDHC memory card | 8 GB | 1910 | 3740 |
16 GB | 3951 | 7719 |
Modes | Still image (S) | ||
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Number of recorded pixels | 2496 x 1664 (3:2) | ||
Quality | JPEG FINE | JPEG NORMAL | |
SDHC memory card | 8 GB | 3570 | 6840 |
16 GB | 7373 | 14116 |
Modes | RAW | |
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SDHC memory card | 8 GB | 230 |
16 GB | 494 |
Modes | Movie | ||
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Quality | FULL HD (1920 x 1080) 60p | HD (1280 x 720) 60p | |
SDHC memory card | 8 GB | 26 min. | 51 min. |
16 GB | 54 min. | 105 min. |
$ 2,499.95
Fuji SKU: 16756924 | Helix SKU: FJ16756924
Never miss a decisive moment.
Featuring a stunning 5th generation X-Trans CMOS 5 HS sensor and X-Processor 5 in a beautifully designed body, photographers and filmmakers alike can now create at the pace of life and the speed of their imaginations.
Model name | FUJIFILM X-H2S | |
Lens Mount | FUJIFILM X mount | |
Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HS with primary color filter | |
Number of effective pixels | 26.16 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) *Please check Compatibilityfor more detail. *Please check the list of the operation confirmed CFexpress Type B Card |
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File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32*1 | |
HEIF | 4:2:2 10bit | |
RAW | 14bit RAW (RAF original format) | |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
Number of recorded pixels | [L] | 〈3:2〉 6240 x 4160 〈16:9〉 6240 x 3512 〈1:1〉 4160 x 4160 |
[M] | 〈3:2〉 4416 x 2944 〈16:9〉 4416 x 2488 〈1:1〉 2944 x 2944 | |
[S] | 〈3:2〉 3120 x 2080 〈16:9〉 3120 x 1760 〈1:1〉 2080 x 2080 | |
Panorama | [L] | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
[M] | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO160 - 12800 (1/3 step) Extended Output: ISO80 / ISO100 / ISO125 / ISO25600 / ISO51200 |
Movie | Standard Output: AUTO / ISO160 - 12800 (1/3 step) Extended Output: ISO25600 |
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Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
Movie | -2.0EV - +2.0EV 1/3EV step | |
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
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Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: 1sec. Fixed |
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Electronic front curtain shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
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Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
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E-front + Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
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E-front + Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. |
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Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
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Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower Electronic shutter: 1/125sec. or slower |
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Continuous shooting | CH Electronic shutter Approx. 40fps (JPEG: 184 frames, Compressed RAW: 175 frames, Lossless compressed RAW: 170 frames, Uncompressed RAW: 140 frames) CH Electronic shutter Approx. 30fps (JPEG: 1000+ frames, Compressed RAW: 270 frames, Lossless compressed RAW: 250 frames, Uncompressed RAW: 180 frames) CH Electronic shutter Approx. 20fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 800 frames) CH Electronic shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) CH Mechanical shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) CH Mechanical shutter Approx. 10fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) CL Mechanical shutter Approx. 8.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) Pre-shot Electronic shutter Approx. 40fps (While half press: 40 frames, After full press: 110 frames, Total: 150 frames) Pre-shot Electronic shutter Approx. 30fps (While half press: 30 frames, After full press: 1000+ frames) Pre-shot Electronic shutter Approx. 20fps (While half press: 20 frames, After full press: 1000+ frames) Pre-shot Electronic shutter Approx. 15fps (While half press: 15 frames, After full press: 1000+ frames) *No. of recordable frames are calculated based on CFexpress Type B card in a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
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Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% / 200% / 400% | |
ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
White Balance Bracketing | ±1 / ±2 / ±3 | |
Focus Bracketing | AUTO / MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Focus | Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
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AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
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Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
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Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
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Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 5.76 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
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LCD monitor | 3.0 inch vari-angle Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.62 million dots |
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Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting |
Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
Sub LCD monitor | 1.28 inch Monochrome LCD Monitor Aspect Ratio: 1:1 Dots: 128x128-dot |
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Movie recording | File format | MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
Movie compression | All Intra / Long GOP | |
File size Frame rate Bitrate |
[6.2K(3:2)] 6240 x 4160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9) High speed rec.] 4096 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [4K(16:9) High speed rec.] 3840 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions |
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Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
Monochromatic Color | Yes | |
Grain Effect | Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL | |
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | ||
Dynamic range setting | Still | AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more |
Movie | 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more |
|
White balance | Auto | White Priority / Auto / Ambience Priority |
Custom | Custom1 - 3 | |
Color temperature selection | 2500K - 10000K | |
Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
Clarity setting | ±5 steps | |
Self-timer | 10sec. / 2sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402 - 2480MHz | |
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
HDMI output | HDMI connector (Type A) | |
Others | ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal |
|
Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images*2 | Economy Mode: Approx. 720 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 70min. (59.94p), Approx. 60min (120p) Full HD: Approx. 95min. (59.94p) *Face detection is set to OFF |
|
Continuance battery life of movie capture*2 | 6.2K: Approx. 120min. (29.97p) 4K: Approx. 105min. (59.94p) Full HD: Approx. 165min. (59.94p) *Face detection is set to OFF |
|
Dimensions | Width: 136.3mm Height: 92.9mm Depth: 84.6mm (Minimum Depth) 42.8mm |
|
Weight | including battery and memory card: Approx. 660g excluding battery and memory card: Approx. 579g |
|
Operation Environment | Operating Temperature | -10℃ - +40℃ |
Operating Humidity | 10% - 80% (no condensation) | |
Starting up period | Approx. 0.49sec. |
Accessories Included | Li-ion battery NP-W235S AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover File transmitter/vertical battery grip connector cover Memory card slot cover Sync terminal cover Cooling fan connector cover Cable protector |
$ 499.95
$ 499.95
$ 899.95 - Sold Out
Fuji SKU: 16759615 | Helix SKU: FJ16759615
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Item Includes:
$ 899.95 - Sold Out
Fuji SKU: 16759641 | Helix SKU: FJ16759641
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Item Includes:
$ 999.95 - Sold Out
Fuji SKU: 16759732 | Helix SKU: FJ16759732
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Item Includes:
$ 999.95 - Sold Out
Fuji SKU: 16759768 | Helix SKU: FJ16759768
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Item Includes:
$ 1,299.95 - Sold Out
Fuji SKU: 16759677 | Helix SKU: FJ16759677
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Item Includes:
$ 1,299.95 - Sold Out
Fuji SKU: 16759706 | Helix SKU: FJ16759706
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Item Includes:
$ 1,699.95 - Sold Out
Fujifilm SKU: 16782301 | Helix SKU: FJ16782301
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Model name | FUJIFILM X-T5 | |
Lens Mount | FUJIFILM X mount | |
Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
Number of effective pixels | 40.2 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32*1 | |
HEIF | 4:2:2 10bit | |
RAW | 14bit RAW (RAF original format) | |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
Number of recorded pixels | [L] | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
[M] | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
[S] | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
Panorama | [L] | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
[M] | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
Digital Tele-Converter | 2.0x / 1.4x / OFF | |
Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
Movie | -2.0EV - +2.0EV 1/3EV step | |
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% / 200% / 400% | |
ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
White Balance Bracketing | ±1 / ±2 / ±3 | |
Focus Bracketing | AUTO / MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Pixel Shift Multi Shot | Yes | |
Focus | Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
Movie compression | All Intra / Long GOP | |
File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
Monochromatic Color | Yes | |
Grain Effect | Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL | |
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | STRONG, WEAK, OFF | |
Dynamic range setting | Still | AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
White balance | Auto | White Priority / Auto / Ambience Priority |
Custom | Custom1 - 3 | |
Color temperature selection | 2500K - 10000K | |
Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
Clarity setting | ±5 steps | |
Self-timer | Still | 10sec. / 2sec. |
Movie | 10sec. / 5sec. / 3sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402 - 2480MHz | |
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
HDMI output | HDMI Micro connector (Type D) | |
Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
Operation Environment | Operating Temperature | -10℃ - +40℃ |
Operating Humidity | 10% - 80% (no condensation) | |
Starting up period | Approx. 0.49sec. | |
Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
Item Includes
$ 1,699.95 - Sold Out
Fujifilm SKU: 16782337 | Helix SKU: FJ16782337
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Model name | FUJIFILM X-T5 | |
Lens Mount | FUJIFILM X mount | |
Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
Number of effective pixels | 40.2 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32*1 | |
HEIF | 4:2:2 10bit | |
RAW | 14bit RAW (RAF original format) | |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
Number of recorded pixels | [L] | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
[M] | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
[S] | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
Panorama | [L] | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
[M] | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
Digital Tele-Converter | 2.0x / 1.4x / OFF | |
Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
Movie | -2.0EV - +2.0EV 1/3EV step | |
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% / 200% / 400% | |
ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
White Balance Bracketing | ±1 / ±2 / ±3 | |
Focus Bracketing | AUTO / MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Pixel Shift Multi Shot | Yes | |
Focus | Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
Movie compression | All Intra / Long GOP | |
File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
Monochromatic Color | Yes | |
Grain Effect | Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL | |
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | STRONG, WEAK, OFF | |
Dynamic range setting | Still | AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
White balance | Auto | White Priority / Auto / Ambience Priority |
Custom | Custom1 - 3 | |
Color temperature selection | 2500K - 10000K | |
Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
Clarity setting | ±5 steps | |
Self-timer | Still | 10sec. / 2sec. |
Movie | 10sec. / 5sec. / 3sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402 - 2480MHz | |
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
HDMI output | HDMI Micro connector (Type D) | |
Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
Operation Environment | Operating Temperature | -10℃ - +40℃ |
Operating Humidity | 10% - 80% (no condensation) | |
Starting up period | Approx. 0.49sec. | |
Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
Item Includes
$ 2,199.00 - Sold Out
Fujifilm SKU: 16782636 | Helix SKU: FJ16782636
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Model name | FUJIFILM X-T5 | |
Lens Mount | FUJIFILM X mount | |
Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
Number of effective pixels | 40.2 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32*1 | |
HEIF | 4:2:2 10bit | |
RAW | 14bit RAW (RAF original format) | |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
Number of recorded pixels | [L] | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
[M] | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
[S] | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
Panorama | [L] | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
[M] | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
Digital Tele-Converter | 2.0x / 1.4x / OFF | |
Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
Movie | -2.0EV - +2.0EV 1/3EV step | |
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% / 200% / 400% | |
ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
White Balance Bracketing | ±1 / ±2 / ±3 | |
Focus Bracketing | AUTO / MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Pixel Shift Multi Shot | Yes | |
Focus | Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
Movie compression | All Intra / Long GOP | |
File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
Monochromatic Color | Yes | |
Grain Effect | Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL | |
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | STRONG, WEAK, OFF | |
Dynamic range setting | Still | AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
White balance | Auto | White Priority / Auto / Ambience Priority |
Custom | Custom1 - 3 | |
Color temperature selection | 2500K - 10000K | |
Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
Clarity setting | ±5 steps | |
Self-timer | Still | 10sec. / 2sec. |
Movie | 10sec. / 5sec. / 3sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402 - 2480MHz | |
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
HDMI output | HDMI Micro connector (Type D) | |
Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
Operation Environment | Operating Temperature | -10℃ - +40℃ |
Operating Humidity | 10% - 80% (no condensation) | |
Starting up period | Approx. 0.49sec. | |
Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
Item Includes
$ 2,199.00 - Sold Out
Fujifilm SKU: 16782662 | Helix SKU: FJ16782662
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Model name | FUJIFILM X-T5 | |
Lens Mount | FUJIFILM X mount | |
Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
Number of effective pixels | 40.2 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32*1 | |
HEIF | 4:2:2 10bit | |
RAW | 14bit RAW (RAF original format) | |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
Number of recorded pixels | [L] | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
[M] | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
[S] | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
Panorama | [L] | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
[M] | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
Digital Tele-Converter | 2.0x / 1.4x / OFF | |
Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
Movie | -2.0EV - +2.0EV 1/3EV step | |
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% / 200% / 400% | |
ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
White Balance Bracketing | ±1 / ±2 / ±3 | |
Focus Bracketing | AUTO / MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Pixel Shift Multi Shot | Yes | |
Focus | Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
Movie compression | All Intra / Long GOP | |
File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
Monochromatic Color | Yes | |
Grain Effect | Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL | |
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | STRONG, WEAK, OFF | |
Dynamic range setting | Still | AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
White balance | Auto | White Priority / Auto / Ambience Priority |
Custom | Custom1 - 3 | |
Color temperature selection | 2500K - 10000K | |
Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
Clarity setting | ±5 steps | |
Self-timer | Still | 10sec. / 2sec. |
Movie | 10sec. / 5sec. / 3sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402 - 2480MHz | |
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
HDMI output | HDMI Micro connector (Type D) | |
Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
Operation Environment | Operating Temperature | -10℃ - +40℃ |
Operating Humidity | 10% - 80% (no condensation) | |
Starting up period | Approx. 0.49sec. | |
Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
Item Includes
$ 2,099.00 - Sold Out
Fujifilm SKU: 16783082 | Helix SKU: FJ16783082
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Model name | FUJIFILM X-T5 | |
Lens Mount | FUJIFILM X mount | |
Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
Number of effective pixels | 40.2 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32*1 | |
HEIF | 4:2:2 10bit | |
RAW | 14bit RAW (RAF original format) | |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
Number of recorded pixels | [L] | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
[M] | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
[S] | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
Panorama | [L] | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
[M] | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
Digital Tele-Converter | 2.0x / 1.4x / OFF | |
Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
Movie | -2.0EV - +2.0EV 1/3EV step | |
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% / 200% / 400% | |
ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
White Balance Bracketing | ±1 / ±2 / ±3 | |
Focus Bracketing | AUTO / MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Pixel Shift Multi Shot | Yes | |
Focus | Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
Movie compression | All Intra / Long GOP | |
File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
Monochromatic Color | Yes | |
Grain Effect | Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL | |
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | STRONG, WEAK, OFF | |
Dynamic range setting | Still | AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
White balance | Auto | White Priority / Auto / Ambience Priority |
Custom | Custom1 - 3 | |
Color temperature selection | 2500K - 10000K | |
Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
Clarity setting | ±5 steps | |
Self-timer | Still | 10sec. / 2sec. |
Movie | 10sec. / 5sec. / 3sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402 - 2480MHz | |
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
HDMI output | HDMI Micro connector (Type D) | |
Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
Operation Environment | Operating Temperature | -10℃ - +40℃ |
Operating Humidity | 10% - 80% (no condensation) | |
Starting up period | Approx. 0.49sec. | |
Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
Item Includes
$ 2,099.00 - Sold Out
Fujifilm SKU: 16783111 | Helix SKU: FJ16783111
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Model name | FUJIFILM X-T5 | |
Lens Mount | FUJIFILM X mount | |
Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
Number of effective pixels | 40.2 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
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File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32*1 | |
HEIF | 4:2:2 10bit | |
RAW | 14bit RAW (RAF original format) | |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
Number of recorded pixels | [L] | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
[M] | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
[S] | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
Panorama | [L] | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
[M] | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
Digital Tele-Converter | 2.0x / 1.4x / OFF | |
Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
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Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
Movie | -2.0EV - +2.0EV 1/3EV step | |
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
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Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
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E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
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E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
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Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
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Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
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Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% / 200% / 400% | |
ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
White Balance Bracketing | ±1 / ±2 / ±3 | |
Focus Bracketing | AUTO / MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Pixel Shift Multi Shot | Yes | |
Focus | Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
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AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
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Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
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Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
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Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
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LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
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Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
Movie compression | All Intra / Long GOP | |
File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
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Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
Monochromatic Color | Yes | |
Grain Effect | Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL | |
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | STRONG, WEAK, OFF | |
Dynamic range setting | Still | AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
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White balance | Auto | White Priority / Auto / Ambience Priority |
Custom | Custom1 - 3 | |
Color temperature selection | 2500K - 10000K | |
Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
Clarity setting | ±5 steps | |
Self-timer | Still | 10sec. / 2sec. |
Movie | 10sec. / 5sec. / 3sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402 - 2480MHz | |
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
HDMI output | HDMI Micro connector (Type D) | |
Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
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Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
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Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
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Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
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Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
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Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
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Operation Environment | Operating Temperature | -10℃ - +40℃ |
Operating Humidity | 10% - 80% (no condensation) | |
Starting up period | Approx. 0.49sec. | |
Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
Item Includes
$ 1,299.95
FujiFilm SKU: 16330471 | Helix SKU: FJ16330471
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Magnification | 14x |
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Objective Lens | 40mm |
Eye Relief | 13mm |
FOV @1000 yds | 263' |
Exit Pupil | 2.9mm |
Weight | 2.71 lbs |
Coating | Phase & FMC |
TS1440
$ 199.95 - Sold Out
Fuji SKU: 16647434 | Helix SKU: FJ16647434
Compact & Lightweight Standard Prime
The FUJINON XC35mmF2 lens gives an equivalent to 52mm on a 35mm format. Weighing just 130g and measuring 46.5mm in length, this new prime lens has nine elements including two aspherical lens elements in six groups, producing sharp and crisp images. AF operation is quick and near silent thanks to the use of an internal focus system*1, which uses a stepping motor*2, making it drive the focus lens elements fast and accurately. The lens produces creamy bokeh while offering excellent portability and high-speed AF.
Item Includes:
Front Cap
Rear Cap
$ 399.95 - Sold Out
The telephoto zoom “XC 50-230mm F4.5-6.7 OIS II”, which employs 13 all-glass elements in 10 groups, including 1 aspherical lens element and 1 ED lens element. The lens demonstrates advanced optical performance across its focal range, producing clear images even when your subject is a long distance away. Its lightweight focusing lens and high-precision motor achieve quick and silent autofocusing. The optical image stabilization function (approximately 3.5-stops) reduces camera shake in still images and videos taken hand-held.
Type | XC 50-230mm F4.5-6.7 OIS II |
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Lens configuration | 13 elements in 10 groups (includes 1 aspherical and 1 extra low dispersion elements) |
Focal length (35mm format equivalent) |
f=50-230mm (76-350mm) |
Angle of view | 31.7°-7.1° |
Max. aperture | F4.5-6.7 |
Min. aperture | F22 |
Aperture control |
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Focus range |
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Max. magnification | 0.2x (Telephoto) |
External dimensions : Diameter x Length* (approx.) *distance from camera lens mount flange |
ø69.5mm x 111mm(Wide) / 177mm(Telephoto) |
Filter size | ø58mm |
$ 399.95 - Sold Out
The telephoto zoom “XC 50-230mm F4.5-6.7 OIS II”, which employs 13 all-glass elements in 10 groups, including 1 aspherical lens element and 1 ED lens element. The lens demonstrates advanced optical performance across its focal range, producing clear images even when your subject is a long distance away. Its lightweight focusing lens and high-precision motor achieve quick and silent autofocusing. The optical image stabilization function (approximately 3.5-stops) reduces camera shake in still images and videos taken hand-held.
Type | XC 50-230mm F4.5-6.7 OIS II |
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Lens configuration | 13 elements in 10 groups (includes 1 aspherical and 1 extra low dispersion elements) |
Focal length (35mm format equivalent) |
f=50-230mm (76-350mm) |
Angle of view | 31.7°-7.1° |
Max. aperture | F4.5-6.7 |
Min. aperture | F22 |
Aperture control |
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Focus range |
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Max. magnification | 0.2x (Telephoto) |
External dimensions : Diameter x Length* (approx.) *distance from camera lens mount flange |
ø69.5mm x 111mm(Wide) / 177mm(Telephoto) |
Filter size | ø58mm |
$ 449.95
Fuji SKU: 16481892 | Helix SKU: FJ16481892
The "FUJINON TELECONVERTER XF 1.4X TC WR" is a high-performance teleconverter capable of multiplying the focal length of mounted lenses* by 1.4x. Although the aperture becomes one f-stop higher when mounted, the teleconverter features an excellent optical design with a construction of 7 elements in 3 groups to maintain the optical performance of the original lens. Also, thanks to the unified design when mounted to a compatible lens*, the teleconverter is weather and dust-resistant and operates at temperatures as low as -10°C. This makes it possible to be used with confidence outdoors when used with the weather and dust-resistant FUJIFILM X-T1 or X-Pro2 camera bodies and XF50-140mmF2.8 R LM OIS WR or XF100-400mmF4.5-5.6 R LM OIS WR lenses.
Lens | Focal length with teleconverter mounted | Max. aperture with teleconverter mounted |
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XF50-140mmF2.8 R LM OIS WR | 70mm-196mm (107mm-299mm in 35mm format equivalent) |
F4 |
XF100-400mmF4.5-5.6 R LM OIS WR | 140mm-560mm (213mm-853mm in 35mm format equivalent) |
F6.3-8 |
Type | FUJINON TELECONVERTER XF1.4X TC WR |
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Lens configuration | 7 elements 3 groups |
Focal length | 1.4x that of original lens |
Max. aperture | 1 additional stop |
Min. aperture | 1 additional stop |
Focus range | Approx. same as that of original lens |
Max. magnification | 1.4x that of original lens |
External dimensions: Diameter x Length (distance from camera lens mount flange) |
Approx. Φ58mm x 15mm |
Weight (excluding lens caps) |
Approx.130g |
Spatial frequency 15 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Spatial frequency 45 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Spatial frequency 15 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
Spatial frequency 45 lines/mm
Distance from the center of the image
XF50-140mmF2.8 R LM OIS WR
$ 999.95 - Sold Out
A compact wide-angle zoom, with a 35mm equivalent focal range of 15-36mm, that has 3.5 stops of Optical Image Stabilization, weather resistance, and simple updates to the aperture ring to make it practical, portable, and durable.
feature, such as FUJIFILM X-T4. Regardless of the X Series camera it is used with, one thing is certain: with the new XF10-24mm F4 R OIS WR lens, sharp images are on the horizon.
$ 1,899.95 - Sold Out
Fuji SKU: 16501109 | Helix SKU: FJ16501109
The FUJINON XF100-400mmF4.5-5.6 R LM OIS WR is a super telephoto zoom lens that covers a 35mm focal length equivalent of 152-609mm. The high performance optical construction of 21 elements in 14 groups includes five ED lenses and one Super ED lens to help reduce chromatic aberration that often occurs in telephoto lenses. As a result, it delivers the highest image quality in its class. The lens has been designed for handheld shooting with a 5.0-stop* image stabilization system and weighs less than 1.4kg. Linear motor for fast autofocusing makes it perfect for shooting fast-moving subjects including aircraft and motorsports. The lens is also both water and dust resistant and can operate in temperatures as low as -10°C, so it’s suitable for use in a wide range of outdoor shooting conditions. A fluorine coating has also been applied to the front lens element to repel water and dirt, further improving the toughness of the lens.
Vertical axis : Contrast S : Sagittal M : Meridional
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Type | FUJINON LENS XF100-400mmF4.5-5.6 R LM OIS WR |
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Lens configuration | 21 elements 14 groups (includes 5 extra low dispersion elements and 1 super extra low dispersion element) |
Focal length (35mm format equivalent) |
f=100-400mm (152-609mm) |
Angle of view | 16.2°- 4.1° |
Max. aperture | F4.5 (Wide) - F5.6 (Telephoto) |
Min. aperture | F22 |
Aperture control |
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Focus range | 1.75m - ∞ |
Max. magnification | 0.19x (Telephoto) |
External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
ø94.8mm x 210.5mm (Wide) / 270mm (Telephoto) |
Weight* (approx.) *excluding caps and hoods |
1,375g |
Filter size | ø77mm |
$ 899.95 - Sold Out
Fuji SKU: 16276481 | Helix SKU: FJ3221
Designed to capture images rich in perspective, this ultra wide-angle lens with its extreme angle of view is the ideal choice. With minimized distortion, and high resolution from the center to the periphery of the image frame, this lens has the versatility to capture not only powerful landscape and architectural photos, but also amazing image quality when shooting indoors in confined spaces. Using the focusing distance and depth-of-field scales on the focus ring, photographers can take intriguing snapshots that accentuate depth of field.
Specifications
Type | XF14mmF2.8 R |
---|---|
Lens construction | 10 elements in 7 groups (includes 2 aspherical and 3 extra low dispersion elements) |
Focal length (35mm format equivalent) |
f=14mm (21mm) |
Angle of view | 89° |
Max. aperture | F2.8 |
Min. aperture | F22 |
Aperture control |
|
Focus range | Approx. 18cm - ∞ |
Max. magnification | 0.12x |
External dimensions | ø65mm x 58.4mm |
Filter size | ø58mm |
$ 1,199.95 - Sold Out
The XF16-55mm F2.8 R LM WR weather-resistant zoom lens is a flagship "XF standard zoom lens" with a focal length equivalent of 24mm* to 84mm*, and a constant F2.8 aperture throughout the range. The advanced optical design controls various forms of aberration to achieve edge-to-edge sharpness across the entire zoom range.
Vertical axis : Contrast S : Sagittal M : Meridional
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Type | XF16-55mmF2.8 R LM WR |
---|---|
Lens configuration | 17 elements 12 groups (includes 3 aspherical and 3 extra low dispersion elements) |
Focal length (35mm format equivalent) |
f=16-55mm (24-84mm) |
Angle of view | 83.2°- 29° |
Max. aperture | F2.8 |
Min. aperture | F22 |
Aperture control |
|
Focus range |
|
Max. magnification | 0.16x (Telephoto) |
External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
ø83.3mm x 106.0mm (Wide) / 129.5mm (Telephoto) |
Weight* (approx.) *excluding caps and hoods |
655g |
Filter size | ø77mm |
$ 799.95 - Sold Out
Fuji SKU: 16635613 | Helix SKU: FJ16635613
Compact zoom with a constant F4 aperture and 6.0-stop OIS
FUJINON XF 16-80mm F4 R OIS WR has a maximum aperture value of F4 throughout the focal length of 16-80mm (equivalent to 24-122mm in the 35mm film format). This lens has a minimum shooting distance of 35cm over the entire zoom range, which gives a maximum shooting magnification of 0.25x. The compact and lightweight lens weighs only 440g which is approximately 40% lighter than an equivalent lens for a 35mm format system. When attached to an X-T3 the kit weighs only 979g and 823g when combined with X-T30, making it the ultimate travel combination. This new standard zoom lens features 6.0-stop OIS, meaning you can comfortably shoot in a wide variety of situations from a night scene or indoors without worrying about camera shake.
Advanced image quality
The lens consists of 16 elements in 12 groups, including three aspherical lens elements and one ED aspherical lens. The aspherical lens elements are controlled at high precision to reduce field curvature and spherical aberration, resulting in an advanced level of image sharpness across the frame. By using an ED aspherical lens as a OIS lens, aberration fluctuation due to image stabilization is suppressed. In addition, This lens has a minimum focusing distance of 35 cm close-up photography over the entire zoom range. The lens has very little breathing making it suitable for movie shooting.
Compact, lightweight and stylish design for superior operability
Powerful OIS
It has the strongest OIS performance equivalent to 6.0 CIPA-guideline standard. The camera automatically detects when it is fixed to a tripod or when panning, and adjusts accordingly.
Fast and silent autofocus
The lens uses the internal focus AF system that drives smaller and lighter focusing elements. It uses a stepping motor, known for its quiet operation and accuracy, to achieve fast and silent autofocus.
Advanced construction
The lens barrel is sealed at 10 locations making the lens dust and weather resistant and capable of operating at temperatures as low as -10°C. Mounting it on weather resistant mirrorless digital cameras such as X-Pro2, X-T1, X-T2, X-T3 and X-H1 allows you to shoot in light rain or a dusty environment outdoors with peace of mind.
Type | XF16-80mmF4 R OIS WR |
---|---|
Lens configuration | 16 elements 12 groups (includes 3 aspherical elements and 1 ED aspherical element) |
Focal length | f=16-80mm(24-122mm) |
Angle of view | 83.2°-20.1° |
Max. aperture | F4 |
Min. aperture | F22 |
Aperture control |
|
Focus range | 35cm - ∞ |
Max. magnification | 0.25x (Telephoto) |
External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
Φ78.3mm x 88.9mm(Wide) / 131.5mm(Telephoto) |
Weight* (approx.) *excluding caps |
440g |
Filter size | Φ72mm |
Vertical axis : Contrast
Horizontal axis : Distance from the center of the image
S : Sagittal
M : Meridional
Spatial frequency 15 lines/mm
Spatial frequency 45 lines/mm
Spatial frequency 15 lines/mm
Spatial frequency 45 lines/mm
Accessories included | Front lens cap FLCP-72II Rear lens cap RLCP-001 Lens hood Wrapping coth |
---|
$ 999.95 - Sold Out
Fuji SKU: 16463670 | Helix SKU: FJ16463670
The XF16mmF1.4R WR lens has a fixed focal length of 16mm (24mm in 35mm format equivalent) and offers a dramatic wide field of view and stunning optical performance. The F1.4 maximum aperture delivers high image quality in low-light conditions and bokeh-rich macro photography with a minimum working distance of 15cm (approx. 6"). Featuring high-speed auto focus, a weather and dust resistant structure that can work in temperatures as low as -10°C (14°F), and great portability thanks to its compact size, your shooting possibilities are boundless.
Vertical axis : Contrast S : Sagittal M : Meridional
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Type | FUJINON LENS XF16mmF1.4 R WR |
---|---|
Lens configuration | 13 elements 11 groups (includes 2 aspherical and 2 extra low dispersion elements) |
Focal length (35mm format equivalent) |
f=16mm (24mm) |
Angle of view | 83.2° |
Max. aperture | F1.4 |
Min. aperture | F16 |
Aperture control |
|
Focus range | 15cm - ∞ |
Max. magnification | 0.21x |
External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
ø73.4mm x 73.0mm |
Weight* (approx.) *excluding caps and hoods |
375g |
Filter size | ø67mm |
$ 399.95 - Sold Out
Fuji SKU: 16611655 | Helix SKU: FJ16611655
Accessories included | Lens cap FLCP-49 Lens rear cap RLCP-001 Lens hood Wrapping cloth |
$ 399.95 - Sold Out
Fuji SKU: 16611681 | Helix SKU: FJ16611681
Accessories included | Lens cap FLCP-49 Lens rear cap RLCP-001 Lens hood Wrapping cloth |
$ 899.95 - Sold Out
The Fujinon high-magnification zoom lens, XF18-135mmF3.5-5.6 R LM OIS WR, covers a wide range of shooting scenarios, from wide angle (27mm*equivalent) to telephoto (206mm*equivalent). This lens boasts the world's most advanced 5.0-stop image stabilization technology** and a dust-proof structure with weather resistant sealing applied to more than 20 different areas of the lens.
The XF18-135mmF3.5-5.6 lens has high-performance glass that includes 4 aspherical and 2 ED lenses with multi-layer HT-EBC that effectively reduces lens flare and ghosting. It offers rapid auto focus speeds (max. 0.10 seconds) and silent operation thanks to the low noise linear motor technology. When combined with the X-T1, the camera and lens weigh a mere 930g so they make an ideal weather-sealed combination for travel that offers improved flexibility and increased photo opportunities.
Vertical axis : Contrast S : Sagittal M : Meridional
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Spatial frequency 15 lines/mm
Distance from the center of the image
Spatial frequency 45 lines/mm
Distance from the center of the image
Type | XF18-135mmF3.5-5.6 R LM OIS WR |
---|---|
Lens configuration | 16 elements in 12 groups (4 aspherical elements and 2 anomalous dispersion lenses) |
Focal length (35mm format equivalent) |
f=18-135mm (27-206mm) |
Angle of view | 76.5° - 12° |
Max. aperture | F3.5 - F5.6 |
Min. aperture | F22 |
Aperture control |
|
Focus range |
|
Max. magnification | 0.27x (Telephoto) |
External dimensions : Diameter x Length* (approx.) * distance from camera lens mount flange |
ø75.7mm x 97.8mm(Wide) / 158mm(Telephoto) |
Weight* (approx.) *excluding caps and hoods |
490g |
Filter size | ø67mm |
$ 699.95 - Sold Out
Fuji SKU: 16276479 | Helix SKU: FJ16276479
With this single versatile zoom featuring a maximum aperture of F2.8 and a broad focal length range from 27mm* wide angle to 84mm* telephoto, the photographer can respond to a variety of scenes. Superbly portable thanks to its compact size, the fast linear motor-driven autofocus and the built-in functionality of four stops of image stabilization ensure comfortable, confident shooting even in challenging situations.
Type | XF18-55mmF2.8-4 R LM OIS |
---|---|
Lens construction | 14 elements in 10groups (includes 3 aspherical and 1 extra low dispersion elements) |
Focal length (35mm format equivalent) |
f=18 - 55 mm (27-84 mm) |
Angle of view | 79.1° - 28.4° |
Max. aperture | F2.8 - F4 |
Min. aperture | F22 |
Aperture control |
|
Focus range |
|
Max. magnification | 0.08 - 0.15x |
External dimensions | ø65.0mm x 70.4mm(Wide)/97.9mm(Telephoto) |
Weight (excluding caps and hoods) |
Approx. 310g |
Filter size | ø58mm |