Benro MP80 Geared Macro Head
$ 265.95
Benro MP80 Geared Macro Head
Benro SKU: MP80 | Helix SKU: IDMP80
Overview
MP80 Geared Macro Head 80mm Base with Arca Swiss Style Quick Release.
Benro PH-07 Quick Release Plate for BH-001-M Ballheads
$ 14.00 - Sold Out
Benro PH-07 Quick Release Plate for BH-001-M Ballheads
Saramonic CaMixer On-Camera Audio Adapter & Mixer with Dual Microphones & XLR for DSLR, Mirrorless & Video Cameras
$ 79.00 - Sold Out
Saramonic CaMixer On-Camera Audio Adapter & Mixer with Dual Microphones & XLR for DSLR, Mirrorless & Video Cameras
MFR SKU: CAMIXER | Helix SKU: SRCAMIXER
Overview
The built-in microphones on DSLR, mirrorless, cinema and video cameras sound terrible, but if you use the Saramonic CaMixer with your camera, your audio will be elevated to broadcast quality. The CaMixer supplies you with two excellent-sounding condenser microphones, and you can also use the XLR microphone of your choice. A built-in headphone jack lets you listen to everything you shoot, and the entire package is compact and ultraportable.
The lightweight CaMixer runs on a single 9-volt battery and comes with two low-profile condenser microphones that plug directly into it. These mics can swivel up and down and rotate to point at people and other sound sources. A mini-XLR input on the side makes it possible to connect professional microphones, and a switch applies +48 volts of phantom power for using shotgun condensers and other kinds of microphones.
A large, stepped gain knob lets you easily dial-in perfect levels, and the backlit display lets you see your audio and battery meters. You can switch between recording and playback modes to listen to your videos through the CaMixer’s headphone jack. A shoe mount is provided at the top to attach microphones, lights or other equipment, and a tripod thread at the base enables you to mount to a camera.
- A complete solution for improving sound on DSLR, mirrorless, and camcorders
- Includes a mixer, mics, output and input cables, and camera mount
- Provides +48 volts of phantom power to professional XLR mics
- Monitor audio during recording and playback with built-in headphone jack
- Durable metal construction with shoe mount for microphones, lights or other equipment
Specifications:
Frequency Response: 20 Hz to 20 Khz, +/-0.5 dBSignal to Noise Ratio: 82 dB @ 1 kHz, -30 dBu input
Distortion: Less than 0.03% @ 1 kHz, -30 dBu input
Input 1 Gain: 15 dB
Input 2 and Mini XLR Jack Gain: 15 dB
Microphone Inputs 1 & 2 Power: +5V Microphone Power
XLR Mini Input Power: +48V Phantom Power (On/Off)
VU Meter: -18 dB to +3 dB in 3 dB increments
Power Requirements: 9V alkaline or lithium battery
Dimensions: 3.7 x 2.5 x 1.4" (95 x 35 x 65 mm)
Weight: 5.5 oz (156g)
Saramonic LavMicro Di Lavalier Microphone with Lightning Connector for iPhone & Ipad
$ 99.00
Saramonic LavMicro Di Lavalier Microphone with Lightning Connector for iPhone & Ipad
MFR SKU: LAVMICRODI | Helix SKU: SRLAVMICRODI
Overview
The Saramonic LavMicro Di is an ultra-compact clip-on lavalier microphone that captures pristine sound quality and connects directly to Apple devices through the Lightning port. This provides a purely digital, low-noise signal transfer that results in rich, broadcast-quality sound, whether you’re shooting video or recording audio with the apps of your choice.
The cable of the LavMicro Di is 6.25 feet (1.9m), which is the ideal length for selfie-stick video, or for neatly tucking your device away in a pocket while you record. A high-quality DeltaSigma analog-to-digital converter is incorporated into the cable. The outstanding audio quality of the LavMicro Di is achieved with the combination of its superior microphone capsule, its high-end analog-to-digital converter, and its digital Lightning connector.
The pickup pattern of the LavMicro Di is omnidirectional, which provides smooth and even sound no matter what direction it’s pointing in when clipped to your collar or clothing. Not only do you not need to worry about what direction the mic is pointing in, you also don’t need to worry about batteries. The LavMicro Di provides simple plug-and-play operation with all of your audio recording and video shooting apps.
- Ultra-compact clip-on lavalier microphone that captures pristine sound quality directly into the Lightning port of Apple devices
- Easy plug-and-play operation with all audio and video recording apps, does not require batteries, charging, or the adjustment of any settings
- Omnidirectional pickup pattern delivers smooth and natural sound no matter what direction it’s pointing in when clipped to your collar or clothing
- Integrated analog-to-digital converter provides exceptional sound quality
- Compatible with iPhone 5 and all later models (iPhone 6, iPhone XR, etc.
Specifications:
Audio Output Connector: Apple MFI certified Lightning connectorAD Conversion: Multibit Delta Sigma
Frequency Response: 30Hz to 20kHz
Gain: 0 to 35 dB
Sampling Frequency: 44.1 and 48 kHz
Bitrate: 16-bit and 24-bit
Pickup Pattern: Omnidirectional
Transducer Principle: Pre-polarized condenser microphone
Sensitivity: -42 ±3 dB (1 kHz, 0 dB=1 V/Pa)
Power Requirements: Supplied by iOS devices
Cable Length: 66.9" (170cm)
Weight: 0.9 oz (25g)
Saramonic SR-TM1 11" Professional Directional XLR Shotgun Condenser Microphone with Rechargeable Lithium-Ion Battery
$ 199.00
Saramonic SR-TM1 11" Professional Directional XLR Shotgun Condenser Microphone with Rechargeable Lithium-Ion Battery
MFR SKU: SR-TM1 | Helix SKU: SRSRTM1
Overview
The Saramonic SR-TM1 is professional medium-length shotgun microphone that delivers clear, broadcast-quality sound to video cameras, audio recorders, and DSLR and mirrorless cameras that have XLR adapters. The TM1 offers several convenient features and a durable metal construction that will handily withstand the demanding world of video production. A rechargeable lithium battery is built-in that can power the TM1 for 150 hours. It can also be powered via phantom and the power button changes color to indicate energy source and battery life.
Unlike most shotgun microphones, the polar pattern of the TM1 doesn’t have a “rear lobe” which enables it to do an exceptional job of repressing sounds to the rear and sides, while clearly picking up sounds in front of it. The TM1 works with phantom power or its internal lithium-ion rechargeable battery. Compared to shotgun microphones that have battery compartments and batteries installed, the all-metal TM1 is noticeably more lightweight. Plus, you won’t waste money on disposable batteries. The size of the TM1 is suitable for on-camera use, and for boom poles, stands, or pistol grips.
The 4 buttons on the TM1 are illuminated so you can adjust them in low-light environments.
The -10 dB PAD button allows you to cleanly capture loud sounds. The +6 dB high frequency boost button enhances sharpness and clarity. The low-cut button makes dialog more intelligible and eliminates distracting deep bass noises, like the low rumble of vehicles and air conditioners. The TM1 even saves your button settings when you turn it off. A foam windscreen is included for indoor use, and the TM-WS1 high-wind furry windscreen is available for outdoor use (sold separately).
- Professional broadcast-quality 11" shotgun microphone that runs on built-in lithium battery or phantom power
- Cardioid polar pattern doesn’t have a “rear lobe” which enables the TM1 to do an exceptional job of repressing sounds to the rear and sides, while clearly picking up sounds in front of it
- Low-cut button makes dialog more intelligible and eliminates distracting rumble noises, +6 dB high frequency boost button enhances sharpness and clarity, -10 dB button allows you to cleanly capture loud sounds
- 150 hours of operation time from the built-in lithium-ion battery, power button changes color to indicate energy source and battery life, Micro-USB charging port in the XLR connector
- 'Medium-length is suitable for mounting on a camera and for use on a boom pole or a stand, illuminated buttons are easy to adjust in low-light working environments
Specifications:
Acoustic Principle: Line gradient
Polar Pattern: Cardioid
Sensitivity: -35 +/- 3dB
Output Impedance: 200 ohM
Max Output: 10 dBu
Dynamic Range: 119 dB
Max SPL: 135 dB
Signal to Noise Ratio: 75 dB SPL
Filter: High-pass 150 Hz
Battery: 48V Phantom or 1400 mAh internal lithium battery (150 hours)
Output Connector: 3-pin XLR (Balanced)
Dimensions: 11.1 x .9 x .9" (28.2 x 2.3 x 2.3cm)
Weight: 6 oz (171g)
Saramonic VMIC Pro Advanced On-Camera Shotgun Microphone for DSLRS, Mirrorless, Video Cameras & Audio Recorders
$ 139.00
Saramonic VMIC Pro Advanced On-Camera Shotgun Microphone for DSLRS, Mirrorless, Video Cameras & Audio Recorders
MFR SKU: VMIC-PRO| Helix SKU: SRVMICPRO
Overview
The Saramonic Vmic Pro is a professional shotgun microphone that’s been meticulously engineered to be used with DSLRs, mirrorless cameras, video cameras and audio recorders to provide rich, broadcast-quality sound and a versatile array of features. The impeccable sound quality of the Vmic Pro is achieved in part with its full spectrum 20Hz - 20KHz frequency response. Best of all, the Vmic Pro is incredibly easy-to-use and has features that cannot be found on competing microphones.
A built-in headphone jack on the Vmic Pro lets you always hear your sound, even when your camera lacks a headphone jack. The body features durable metal construction that was built to withstand the rigors of video production. A short 1/8“ (3.5mm) output cable is included to connect to your camera or recorder. It’s detachable, which allows you to use any 1/8“ (3.5mm) cable in its place. When you need more length, you can easily swap out the included 8-inch cable out for a longer one to mount the Vmic Pro on a boompole or a stand. This can be accomplished with standard male 1/8“ (3.5mm) cables, without requiring you to use less common female-to-male extensions. A foam windscreen is included for indoor use, and for outdoor recording in higher winds you can use the VMIC-WSPRO fitted furry windscreen that was designed for the Vmic Pro (sold separately).
There are additional features that make the Vmic Pro even more versatile. A +20dB boost setting lets you to turn down your camera’s noisy preamp in order to achieve an ultra-clean sound as well as letting you pick up subjects from further away. A -10dB setting lowers the sensitivity of the Vmic Pro so you can cleanly capture audio in loud environments. A low-cut button makes dialog more intelligible and eliminates unwanted deep bass sounds, like distracting vibration noises from footsteps. A high-frequency boost button enhances the sharpness and clarity of the sounds you capture. If you want the best sound quality for your productions, this is the microphone you want to use.
- Broadcast-quality on-camera pro shotgun microphone with built-in headphone jack, removable output cable, durable metal construction, and robust integrated shockmount
- Incredibly easy to use with a versatile array of features, +20dB boost setting for achieving ultra-clean sound, -10dB setting for cleanly capturing loud sounds
- Low-cut button makes dialog more intelligible and eliminates distracting rumble sounds, high-frequency boost button enhances sharpness and clarity
- Integrated camera-shoe mount features a metal 1/4 20 tripod thread, rugged and robust shockmount that is not flimsy and prone to bending and damage
- Runs on 2 standard AA batteries with a battery door that’s easy to access and use
Specifications:
Frequency Response:20 Hz to 20 kHz
Type of Microphone: Condenser (Unidirectional)
Polar Pattern: Supercardioid
Signal to Noise Ratio: 75 dB or more
Output Impedance: 200 Ohms or less
Sensitivity: -30 dB at 1 kHz
Filter: High-pass 150 Hz
Outputs: 2 x female 1.8” (3.5 mm), 1 for headphones, 1 for camera connection
Battery: 2 x AA (Alkaline or Lithium)
Dimensions: 10 x 2.7 x 3.85" x (253 x 69 x 98mm)
Weight: 9.5 oz (270 g)
In The Box:
1x Vmic Pro shotgun microphone
1 x short, coiled cable with gold-plated mini-plug connectors
1 x foam windscreen
1 x printed manual
1 x warranty card
Optional Accessories (Sold Separately):
- VMIC-WSPRO Outdoor high-wind furry windscreen
- SR-UC-201 1/8“ (3.5mm) Female TRS microphone adapter cable to 3.5mm male TRRS for smartphones and tablets with a headphone jack
- WM4C-C35 Replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cable
- SR-CS350 2-Pack of replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cables
- SR-SM-C301 1/8“ (3.5mm) output cable for iOS
- SR-SM-C302 1/8“ (3.5mm) output cable for Android
- LC-C35 Locking 1/8“ (3.5mm) to Lightning output cable for iPhone & iPad
- UTC-C35 Locking 1/8“ (3.5mm) to USB Type-C output cable for smartphones, tablets and Apple computers with USB Type-C
- SR-PMC2 1/8“ (3.5mm) TRS to 1/8“ (3.5mm) TRRS output cable for smartphones and tablets
- SR-GMC2 1/8“ (3.5mm) TRS to select GoPro camera output cable
- USB-C201 Locking 1/8“ (3.5mm) TRS to USB output cable for PC and Mac computers<
Saramonic VMIC Recorder On-Camera Shotgun Microphone with Built-in MicroSDHC Audio recorder for DSLRS, Mirrorless & Video Cameras
$ 159.00
Saramonic VMIC Recorder On-Camera Shotgun Microphone with Built-in MicroSDHC Audio recorder for DSLRS, Mirrorless & Video Cameras
MFR SKU: VMIC-REC| Helix SKU: SRVMICREC
Overview
The Saramonic Vmic Recorder is a premium on-camera shotgun microphone with a built-in high-resolution audio recorder that delivers broadcast-quality sound to DSLRs, mirrorless cameras and video cameras and provides many useful features. Specifically designed for DSLR, Mirrorless and Video Cameras that lack a microphone input or users that want to record to an external recorder as well as their camera. There are two outputs on the Vmic Recorder, one for your camera and another for headphones — so you can always listen to your audio while recording or even when your camera lacks a headphone jack. The built-in audio recorder captures rich and detailed sound with resolutions up to 24bit 48kHz, and like all Saramonic products, the Vmic Recorder is incredibly easy to use.
A backlit LCD screen with an intuitive menu system is provided on the rear of the Vmic Recorder, and a push-button joystick lets you quickly do a range of functions like controlling the headphone volume, adjusting the recording level, and turning on the low-cut filter, which makes dialog more intelligible and eliminates distracting rumble sounds. The exterior of the Vmic Recorder is constructed with durable metal and was built to survive the not-so-gentle world of video production. The robust integrated shockmount features a camera shoe mount and a metal 1/4 20 tripod thread for more mounting options.
In addition to impressive sound quality, the Vmic Recorder also efficiently utilizes power. It gets 9 hours of operation time when recording, and 10 hours when used as a shotgun mic and it runs on 2 standard AA batteries. Audio is recorded onto a MicroSDHC card (sold separately), and it’s compatible with up to 32GB capacities. Plus, the Vmic Recorder can be used as an excellent-sounding on-camera shotgun microphone even when you’re not recording. A foam windscreen is included for indoor use, and for outdoor recording in higher winds you can use the fitted VMIC-WS furry windscreen (sold separately).
- Broadcast-quality on-camera shotgun microphone with an integrated high-resolution MicroSDHC audio recorder, built-in headphone jack and removable output cable
- Durable metal construction, robust integrated shockmount with camera shoe mount
- Incredibly easy to use, low-cut filter makes dialog more intelligible and eliminates distracting rumble sounds
- Backlit LCD screen with easy-to-use menu system, camera shoe features a metal 1/4 20 tripod thread, records up to 24-bit 48kHz resolution
- Can be used as an on-camera shotgun microphone even when you’re not recording, runs on 2 standard AA batteries and gets up to 10 hours of operation
Specifications:
Frequency Response:50 Hz to 20 kHz
Type of Microphone: Condenser (Unidirectional)
Polar Pattern: Supercardioid
Maximum SPL: 104 dB
Signal to Noise Ratio: 22 dB, Gain Setting 66 dB
Operating Temperature Range: -17 to 57 Celsius
Output Impedance: 47 Ohms or less
Headphone Output Impedance: 16 Ohms
Sensitivity: -40 dB at 1 kHz
Filter: High-pass 200 Hz
Recording Media: MicroSDHC card slot
Resolution: 16-bit/48kHz wav or 24-bit/48kHz wav
Outputs: 2 x female 1.8” (3.5 mm), 1 for headphones, 1 for camera connection
Battery: 2 x AA (Alkaline or Lithium)
Dimensions: 10.04 x 2.6 x 3.15” (255 x 66 x 80 mm)
Weight: 7.3 oz (207 g)
In The Box:
1 x Vmic Recorder shotgun microphone with built-in audio recorder
1 x short, coiled cable with gold-plated mini-plug connectors
1 x foam windscreen
1 x printed manual
1 x warranty card
Optional Accessories (Sold Separately):
- VMIC-WS Outdoor high-wind furry windscreen
- SR-UC-201 1/8“ (3.5mm) Female TRS microphone adapter cable to 3.5mm male TRRS for smartphones and tablets with a headphone jack
- WM4C-C35 Replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cable
- SR-CS350 2-Pack of replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cables
- SR-SM-C301 1/8“ (3.5mm) output cable for iOS
- SR-SM-C302 1/8“ (3.5mm) output cable for Android
- LC-C35 Locking 1/8“ (3.5mm) to Lightning output cable for iPhone & iPad
- UTC-C35 Locking 1/8“ (3.5mm) to USB Type-C output cable for smartphones, tablets and Apple computers with USB Type-C
- SR-PMC2 1/8“ (3.5mm) TRS to 1/8“ (3.5mm) TRRS output cable for smartphones and tablets
- SR-GMC2 1/8“ (3.5mm) TRS to select GoPro camera output cable
- USB-C201 Locking 1/8“ (3.5mm) TRS to USB output cable for PC and Mac computers
Tamron 16-300mm F3.5-6.3 Di II PZD - Sony A-Mount
$ 629.00 - Sold Out
Tamron 16-300mm F/3.5-6.3 Di II PZD Macro Sony A-Mount - TRAFB016S700
This extraordinary 18.8x zoom comes with Vibration Compensation and high-speed Piezo Drive autofocusing, making it a lens you can rely on for crisp, detailed wide-angle to long-telephoto shots
Di ll lens designed exclusively for APS-C sized digital SLR cameras. Comes with lens hood. Compatible mounts: Canon, Nikon, Sony* * The Sony mount does not include the VC image stabilization functionality, as the body of Sony digital SLR cameras includes image stabilization functionality. Consequently, the name of the Sony mounted lens does not include the VC description (16-300mm F/3.5-6.3 Di II PZD MACRO)
Tamron Adaptall-2 Custom Mount - Minolta MD/SR Mount For Tamron MF Lenses
$ 9.95
Minolta MD/SR Manual Lens Mount This is an Adapt All Lens Mount for Tamron AdaptAll Lenses It Adapts AdaptAll Lens to the Minolta MD Manual Lens Mount Lens NOT Included
Tamron Adaptall-2 Custom Mount For Contax/Yashica Cameras
$ 9.95
Tamron Adaptall-2 Custom Mount For Contax/Yashica Cameras.
Tamron Adaptall-2 Custom Mount For Mamiya-ZE Cameras
$ 9.95
Tamron Adaptall-2 Custom Mount For Mamiya-ZE Cameras
Tamron Canon 1.4X Teleconverter AF14C700
$ 149.00 - Sold Out
Tamron Canon 1.4X Teleconverter
Tamron Canon 2X Teleconverter AF20C700
$ 189.00 - Sold Out
Tamron Canon 2X Teleconverter
Teleconverters, either 1.4X or 2X, are efficient tools to add focal length to the photographer's arsenal. However, universal-type teleconverters have certain limitations in performance when used with ultra-telephoto lenses of 200mm or longer as compensation of chromatic aberration alone becomes highly critical in this focal length range. The new PRO-series teleconverters are specifically designed and optimized for use with such ultra-telephoto lenses to deliver maximum resolution, contrast and color rendition without degrading any aspect of the master lens performance.
The 1.4X teleconverter will increase the focal length of the master lens by 1.4X and make the lens one f-stop slower. The 2X doubles the focal length of the master lens and makes the lens two f-stops slower. In addition to increasing focal length, both teleconverters allow greater magnification in macro since the Minimum Object Distance (MOD) of the master lens does not change when used with the teleconverters.
The 1.4X teleconverter can be used with both AF and MF lenses. AF will be retained if the master lens is F/4.5 or faster. AF will be retained with the 2X teleconverter if the master lens is F/4.0 or faster.
The Tamron 2x is commonly used for Wildlife photos and more.The Tamron 2x is popular because customers like the following qualities of the Tamron 2x: Easily interchangeable and Lightweight
Specifcations:
Construction: 4 Groups/ 4 Elements
Dimensions (Length x Diameter): 1.0in. (26mm) x 2.6in. (66.7mm)
Notes: All AF tele-converters and AF extension tubes for Canon EOS are also compatible with Canon EOS "IX" camera for APS system.
Tamron Canon SP 1.4X Pro Teleconverter AF14PC700
$ 224.00 - Sold Out
Tamron Canon SP 1.4X Pro Teleconverter
Tamron Canon SP 180mm F/3.5 Di LD (IF) 1:1 Macro w/ hood and case AFB01C700
$ 739.00 - Sold Out
Tamron Canon SP 180mm F/3.5 Di LD (IF) 1:1 Macro w/ hood and case
Currently the lightest and most compact 180mm macro lens on the market, this lens will provide 1:1 magnification, and the two LD elements included in the design of the lens make sure you get the sharpest quality possible.
An excellent lens for close-up work in the field.
- 1:1 Magnification
- Allows for life-size image on the negative or slide; at a distance of 18.5" (47 cm)
- Internal Focus
- The lens neither extends nor contracts physically when focusing; all moving elements are contained within the lens barrel
- Di: Digitally Integrated lenses are designed to meet the performance characteristics of digital SLR cameras
- FEC: Filter Effect Control is designed to rotate the filter to the desired position even with the hood attached. This is accomplished by rotating the FEC ring that in turn rotates the portion of the lens where the filter is mounted
Specifications:
Focal Length 180mm
Aperture Maximum: f/3.5
Minimum: f/32
Camera Mount Type Canon EF
Format Compatibility 35mm Film / Full-Frame Digital Sensor
Canon (APS-C)
Angle of View 14°
Minimum Focus Distance 1.54' (47 cm)
Magnification 1x
Maximum Reproduction Ratio 1:1
Elements/Groups 14/11
Diaphragm Blades 7
Tamron Lens Hood AF28-80mm F/3.5-5.6 Silver RHAF277
$ 19.95 - Sold Out
Tamron Lens Hood AF28-80mm F/3.5-5.6 Silver RHAF277
Tamron Lens Hood AF70-300mm F/4-5.6 Silver RHAF772
$ 15.95 - Sold Out
Tamron Lens Hood AF70-300mm F/4-5.6 Silver RHAF772
Tamron Lens Hood SP AF17-50mm F/2.8 Di-II RHAFA09
$ 15.95 - Sold Out
Tamron Lens Hood SP AF17-50mm F/2.8 Di-II RHAFA09
Tamron Nikon SP 2X Pro Teleconverter AF20PN700
$ 254.00 - Sold Out
Tamron Nikon SP 2X Pro Teleconverter
The 1.4X teleconverter will increase the focal length of the master lens by 1.4X and make the lens one f-stop slower. The 2X doubles the focal length of the master lens and makes the lens two f-stops slower. In addition to increasing focal length, both teleconverters allow greater magnification in macro since the Minimum Object Distance (MOD) of the master lens does not change when used with the teleconverters.
The 1.4X teleconverter can be used with both AF and MF lenses. AF will be retained if the master lens is F/4.5 or faster. AF will be retained with the 2X teleconverter if the master lens is F/4.0 or faster.
The SP AF PRO-series teleconverters, with a newly designed optical construction (4-group/5-element for 1.4X and 4-group/7-element for 2X), are designed to be used with lenses that are F/2.8 and of focal lengths of 90mm or greater. This would make the use of the SP teleconverters ideal for the Tamron SP90mm F/2.8 macro, 70-210mm F/2.8 and 300mm F/2.8. Relative illumination is significantly improved resulting in better overall contrast and resolution across the entire image field. In addition, chromatic aberration and astigmatism are better compensated for by virtue of the use of higher-grade glass materials and more sophisticated design techniques than used in universal-type teleconverters. When used with lenses with smaller maximum apertures (F/4 and F/5.6, for example), there will be little difference in image quality as compared with the standard Tamron teleconverters. When used with lenses wider than 90mm, the SP teleconverters can actually comprise image quality.
Tamron Pentax SP 17-50mm F/2.8 Di II LD Aspherical (IF) w/ hood AF016P700
$ 499.00 - Sold Out
Tamron Pentax SP 17-50mm F/2.8 Di II LD Aspherical (IF) w/ hood
This lens offers an f/2.8 maximum aperture throughout the entire zoom range, to ensure stress-free photographic shots at all focal lengths and distances. Additionally, a broader photographic expression through the use of faster shutter speeds as a result of the maximum aperture offers enhanced photographic pleasure.
Note: Di-II lenses cannot be used with digital SLR cameras using image sensors that are larger than that of an APS-C size imager (e.g. 1D series), or with 35mm film SLR cameras.
- Optimized for Digital SLR
- The use of XR (Extra Refractive Index) glass optimizes the overall distribution of optical power, and also reduces various aberrations to the absolute minimum while achieving remarkable compactness. In addition, suitable positioning of two hybrid aspherical elements serves to maintain imaging performance and to shorten and compress the entire optical system.
- LD Glass
- An LD (Low Dispersion) glass element is used to accomplish effective compensation of on-axis and lateral chromatic aberrations, a critical factor for enhancing optical quality in digital photography, in order to achieve outstanding optical performance over the entire zoom range.
- Enhanced Peripheral Illumination
- Peripheral light fall-off is minimized when compared with that of conventional lenses for film cameras, so images are uniformly bright from the center to the periphery.
- Internal Surface Coating to Reduce Ghosting and Flare
- By employing "Internal Surface Coatings" (i.e., multiple-layer coatings on cemented surfaces of plural elements) and multiple-layer coating technology on ordinary elements, ghosting and flare due to the reflections that occur when light enters through the front element and reflections caused by the imagers themselves are reduced to the absolute minimum.
- Zoom Lock Mechanism
- The Zoom Lock prevents unwanted barrel extension when carrying the lens/camera combination.
Specification:
Focal Length 17 - 50mm
Aperture Maximum: f/2.8
Minimum: f/32
Camera Mount Type Pentax K
Format Compatibility Pentax Digital (APS-C)
Angle of View 78° - 31°
Minimum Focus Distance 10.63" (27 cm)
Magnification 0.22x
Maximum Reproduction Ratio 1:5
Elements/Groups 16/13
Diaphragm Blades 7
Features
Image Stabilization No
Autofocus Yes
Tripod Collar No
Physical
Filter Thread 67 mm
Dimensions (DxL) Approx. 2.9 x 3.2" (7.37 x 8.13 cm)
Weight 15.17 oz (430 g)
Packaging Info
Package Weight 1.4 lb
Box Dimensions (LxWxH) 5.9 x 4.4 x 4.3"
Tamron Sony 28-300mm F/3.5-6.3 Di PZD w/ hood AFA010S700
$ 849.00 - Sold Out
Tamron Sony 28-300mm F/3.5-6.3 Di PZD w/ hood
State-of-the-art optical design technology delivers superior image quality
The advanced optical construction of this lens includes four elements of LD (Low Dispersion) glass, three Molded-Glass Aspherical elements, one Hybrid Aspherical element, one XR (Extra Refractive Index) glass element, and one element of UXR (Ultra-Extra Refractive Index) glass, which has greater refractive index than XR. The full use of specialized glass elements in its design contributes to making this outstanding lens as compact and lightweight as possible, while minimizing aberrations, resulting in superior image quality.
Focus on portability. The lens is now even smaller and lighter
In addition to state-of-the-art optical design that facilitates downsizing of the lens body, the mechanical design, which incorporates a highly sophisticated multi-stack-cam layout that takes up far less space, and PZD (Piezo Drive), an autofocus drive system with a simpler, more compact structure, has made it possible to reduce the overall dimensions of this lens.
Advanced anti-reflection coating
The application of BBAR (Broad-Band Anti-Reflection) coatings for suppressing reflections on a lens element surfaces minimizes unwanted flare and ghosting to deliver sharp, crisp, high-contrast images.
PZD (Piezo Drive) delivers faster, quieter autofocus action
The PZD (Piezo Drive) provides noticeably faster, quieter autofocus action, allowing users to capture spontaneous moments to crisp images and to continue to shoot even when quiet operation is required. The full-time manual focus system enables fine focus adjustments to be made during autofocus shooting without having to change the focus mode beforehand.
Upgraded cosmetic design. Elegant tungsten silver brand ring
Employing a sophisticated linear pattern rubber grip on the zoom and focus rings and an elegant tungsten silver brand ring, this newly-designed model accentuates its visceral presence with understated elegance and class.
Circular diaphragm facilitates achieving spectacular blur effects
Using a nearly circular diaphragm makes it easy for users to achieve spectacular background blur effects that enable creative use of depth of field.
Moisture-resistant construction for outdoor shooting
Moisture-resistant construction helps prevent moisture from penetrating the lens.
- Model: A010
- Lens Construction (Groups/Elements): 15/19
- Angle of View:
- 75°23'-8°15' (for full-frame format)
- 52°58'-5°20' (for APS-C format)
- Diaphragm Blade Number: 7 (circular diaphragm)
- Minimum Aperture: F/22-F/40
- Minimum Focus Distance: 19.3 in.(0.49m)
- Macro Magnification Ratio: 1:3.5 (at f=300mm, MFD=0.49m)
- Filter Diameter: ø67
- Weight: 540g (19 oz)
- Diameter : ø74.4mm
- Length: 96mm (3.8 in)
- Accessory: Flower-shaped Lens hood
Tamron Sony SP 17-50mm F/2.8 Di II LD Aspherical (IF) w/ hood AF016M700
$ 499.00 - Sold Out
Tamron Sony SP 17-50mm F/2.8 Di II LD Aspherical (IF) w/ hood
The Tamron SP AF17-50mm f/2.8 XR Di II LD Aspherical [IF] Autofocus Lens for Sony Alpha & Minolta is a lightweight, compact, fast standard zoom lens designed exclusively for digital SLR cameras. The focal length of this lens is equivalent to approx. 26-78mm in 35mm format.
This lens offers an f/2.8 maximum aperture throughout the entire zoom range, to ensure stress-free photographic shots at all focal lengths and distances. Additionally, a broader photographic expression through the use of faster shutter speeds as a result of the maximum aperture offers enhanced photographic pleasure.
FEATURES:
- Optimized for Digital SLR - The use of XR (Extra Refractive Index) glass optimizes the overall distribution of optical power, and also reduces various aberrations to the absolute minimum while achieving remarkable compactness. In addition, suitable positioning of two hybrid aspherical elements serves to maintain imaging performance and to shorten and compress the entire optical system.
- LD Glass - An LD (Low Dispersion) glass element is used to accomplish effective compensation of on-axis and lateral chromatic aberrations, a critical factor for enhancing optical quality in digital photography, in order to achieve outstanding optical performance over the entire zoom range.
- Enhanced Peripheral Illumination - Peripheral light fall-off is minimized when compared with that of conventional lenses for film cameras, so images are uniformly bright from the center to the periphery.
- Internal Surface Coating to Reduce Ghosting and Flare - By employing "Internal Surface Coatings" (i.e., multiple-layer coatings on cemented surfaces of plural elements) and multiple-layer coating technology on ordinary elements, ghosting and flare due to the reflections that occur when light enters through the front element and reflections caused by the imagers themselves are reduced to the absolute minimum.
- Zoom Lock Mechanism - The Zoom Lock prevents unwanted barrel extension when carrying the lens/camera combination
Specifications:
Lens Information
Camera Mount A-mount
Focal Length 17-50mm
Aperture Range f/2.8-f/32
Minimum Focusing Distance 10.6 in.
Filter Size 67mm
Groups 13
Elements 16
Diagonal Angle Of View 78-31°
Length 3.2 in.
Maximum Diameter 2.9 in.
Weight 15.3 oz
Tamron Sony SP 180mm F/3.5 Di LD (IF) 1:1 Macro w/ hood and case AFB01M700
$ 739.00 - Sold Out
Tamron Sony SP 180mm F/3.5 Di LD (IF) 1:1 Macro w/ hood and case
Di: Digitally Integrated Design, is a designation Tamron puts on lenses featuring optical systems designed to meet the performance characteristics of digital SLR cameras.
This lens employs an IF (Internal Focusing) system that maintains the overall length of the lens during focusing. Uses two LD (Low Dispersion) glass elements that effectively compensate for chromatic aberration. Provides high-contrast, outstanding image quality and a soft out-of-focus background effect. Incorporates an AF/MF one touch switchover mechanism built into the focus ring(for Canon & Nikon only). Super performance series provides high performance through outstanding design specifications.
FEC (Filter Effect Control): Features the new FEC (Filter Effect Control) function that enhances operational ease of Polarizing Filter use. The new Filter Effect Control is designed to rotate the filter to the desired position while the hood is attached. This is accomplished by turning the FEC ring that in turn rotates the portion of the filter mount where the filter is mounted.
Specifications:
Model B01
Lens Construction (Groups/Elements) 11/14
Angle of View 14°
Diaphragm Blade Number 7
Minimum Focus Distance 0.47m (18.5")
Macro Magnification Ratio 1:1
Filter Diameter ø72
Weight 920g (32.5oz.)
Diameter x Length ø84.8mmx165.7mm
(3.3in x 6.5in)
Accessory Lens hood & Case
Tamron Sony SP 24-70mm F/2.8 Di USD w/ hood AFA007S700
$ 1,299.00 - Sold Out
Tamron Sony SP 24-70mm F/2.8 Di USD w/ hood
Tamron's SP 24-70mm f/2.8 DI VC USD Lens for Sony A-Mount Cameras delivers a very useful range from 24mm true wide-angle to 70mm short telephoto, useful for landscapes, interiors, portraits, street photography and much more. The continuous maximum aperture of f/2.8 combined with built-in Vibration Compensation image stabilization make it possible to achieve stellar results in low-light situations, while the Ultrasonic Silent Drive (USD) gives you very quiet autofocus capabilities that are ideal for shooting video.
The 24-70mm lens uses specialized high-grade glass in the three LD elements, three Glass Molded Aspherical Lenses, one Hybrid Aspherical Lens and two XR (Extra Refractive Index) glasses, for excellent image quality. Using a rounded 9-blade diaphragm, the lens delivers fine bokeh--the out-of-focus area in a photo. Moisture-resistant construction helps protect the lens from any water that comes near it. And all of this is in a compact (3.5 x 4.6"), lightweight (29.1 oz) package that won't wear you out, even carrying it all day.
High-Speed Standard Zoom With Built-In VC (Vibration Compensation) World's first full-size, high-speed standard zoom with built-in VC (Vibration Compensation). Even when shooting in low-light conditions with a slow shutter speed to render sharpness, Tamron's acclaimed VC allows for stable handheld camera work, to more fully enjoy the benefits of this high-speed zoom lens.
Uses specialized high-grade glass in the three LD elements, three Glass Molded Aspherical Lenses, one Hybrid Aspherical Lens and two XR (Extra Refractive Index) glasses, delivering top-of-the-class quality images suited to this high-grade lens. Using a rounded diaphragm, the lens achieves gorgeous blur effects.
Features USD (Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual mechanism.
This high-speed standard zoom lens has a wide-end focal length of 24mm that expands the photographic area.
The lens adopts the new technology including the latest optical design, VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), all in a lighter and more compact package.
Moisture-resistant construction helps prevent water from penetrating the lens.
VC (Vibration Compensation)
VC (Vibration Compensation) is Tamron's proprietary image stabilization system. Tamron's VC is a three-coil system, whereby three driving coils activate the shake-compensating VC lens group electromagnetically via three steel balls. The VC lens elements are held in place only by contact with the steel balls, achieving smooth movement with little friction. This provides a stable viewfinder image with excellent tracking performance. And as the VC lens may be moved in parallel using only the motorized control, the mechanical structure has been simplified, enabling the creation of a more compact lens.
New VC System (Moving Coil Method)
Tamron's original VC image stabilization mechanism utilized a moving magnet system whereby a heavy magnet was positioned near the moving VC lens element. In the new VC unit the positions of the magnet and the coil are reversed, because of this the VC optical lens element is attached to the coil. The new VC mechanism employs a moving coil mechanism with a lightweight coil, and the lighter coil reduces the load on the drive system. Thus, the lighter, more compact new VC unit contributes to the lens's overall light weight and compact size. Because the 24-70 mm F/2.8 Di VC USD is a high-speed zoom lens with maximum aperture of F/2.8, its VC system must drive a lens that is larger and heavier than other zooms. Therefore, the shape, size and layout of the drive coils are all designed to obtain sufficient thrust. The result is a full-size, high-speed zoom that provides the same high level of compensation effect.
About the Ultrasonic Motor
In the ultrasonic motor, a piezoelectric element arranged in a ring formation generates ultrasonic vibrations in a metallic ring stator, and the vibration energy is used to rotate a metallic ring rotor that is attached to the stator. The rotation energy is in turn transferred from the metallic ring rotor to operate the focus lens.
Lens Information:
Camera Mount A-mount
Focal Length 24-70mm
Aperture Range f/2.8
Minimum Focusing Distance 15" (38.10 cm)
Filter Size 82mm
Groups 12
Elements 17
Diagonal Angle Of View 84-34 degrees
Length 4.6" (11.68 cm)
Maximum Diameter 3.5" (8.89 cm)
Weight 29.1 oz (825 g)
Tamron Sony SP 70-300mm F/4-5.6 Di USD w/ hood AFA005S700
$ 449.00 - Sold Out
Tamron Sony SP 70-300mm F/4-5.6 Di USD w/ hood
The SP 70-300mm is constructed with one LD (Low Dispersion) and one XLD (Extra Low Dispersion) lens which prevent chromatic aberration, resulting in clear, high contrast and color-accurate digital image captures.
This lens is also digitally integrated (Di) which means that it has been optimized for digital imaging, providing outstanding performance for DSLRS with full-frame and APS-C format sensors as well as with 35mm film cameras.
Tamron SP 24-70mm F2.8 Di VC USD for Nikon Mount
$ 1,299.00 - Sold Out
Tamron SP 24-70mm F2.8 Di VC USD for Nikon Mount
Tamron SKU: A007N700 | Helix SKU: TRAFA007N700
Overview
The Tamron SP designation is reserved for lenses developed with special emphasis on extraordinary photographic performance. Engineers are free to innovate in an uncommon atmosphere where optical performance comes before price, resulting in lenses that satisfy the demands of discerning photographers.
Play with light as you explore the subtle aspects of beauty. An all-new, high-speed standard zoom lens with image stabilization.
Photographic artists have been waiting for a full-featured, constant-aperture zoom lens. The wait is over. The A007 is a high-quality, highly functional, high-speed standard zoom lens covering the 24‒70mm focal range*1. It includes both Tamron’s proprietary VC (Vibration Compensation) image stabilization to reduce shake and its USD (Ultrasonic Silent Drive) motor, enabling speedy, silent autofocusing. This SP (Super Performance) series lens makes full use of specialized glass elements in its lens layout, designed with top priority on image quality, including three LD elements and two XR (Extra Refractive Index) glasses. Tamron has minimized all types of chromatic aberration in the A007, making it a lens at the top of its class whether you use it on a digital APS-C, full-frame, or 35mm SLR camera. The A007’s F/2.8 aperture enables a balance between brilliant resolution and beautiful soft blur effects. This ideal lens makes full use of Tamron’s rounded diaphragm*2 and the uncontrived, artistic blur that it provides. It is also Tamron’s first lens to feature our new moisture-resistant construction. Portraits. Landscapes. Studio shoots. This is the lens for them all. Capture the finest details of your images in precisely the way you have always wanted to. Extend your art to the limits of your inspiration with the A007.
Tamron SP 90mm F/2.8 Di VC USD 1:1 Macro - Canon EF
$ 699.99 - Sold Out
Tamron SP 90mm F/2.8 Di VC USD 1:1 Macro Canon Mount
Tamron SKU: AFF004C-700 | Helix SKU: TRAFF004C700
Overview
Tamron's classic 90mm Macro lens is reborn with Vibration Compensation (VC) image stabilization(1), Ultrasonic Silent Drive (USD) motor, and new advanced optical design. It uses two Extra Low Dispersion (XLD) glass elements made from specialized, high-grade glass and one Low Dispersion (LD) element, which are combined to ensure sharp images by thoroughly correcting any aberration.
In addition, its new advanced optical design and a rounded diaphragm (2) have enabled this lens to achieve spectacular blur effects. The new eBAND (Extended Bandwidth & Angular-Dependency) Coating yields significant anti-reflection properties, efficiently reducing undesired flare and ghosting to an absolute minimum to deliver sharp, crisp images. The lens also boasts improved operability enabled by the Internal Focusing (IF) system, which focuses without protruding the lens group, as well as full-time manual focus that enables fine focus adjustments. The lens also comes in a moisture-resistant construction that helps prevent moisture from penetrating the lens.
(1) The Sony mount does not include the VC image stabilization functionality, as Sony digital SLR camera bodies include image stabilization functionality. Consequently, the name of the Sony mount lens, SP 90mm F/2.8 Di MACRO 1:1 USD, does not include the VC description.
(2) This rounded diaphragm retains a nearly circular shape even when taken two stops down from its fully open state.
Specifications
- FILTER DIAMETER: 58mm
- MINIMUM FOCUS DISTANCE: 0.3m (11.8 in)
- LENGTH: 122.9mm (4.8 in)
- MOUNT COMPATIBLE: CANON
- WEIGHT: 550g (19.2 oz.)
Tenba 636-237 Tools Cable Duo 8 Cable Pouch (Camouflage/Lime)
$ 26.95
Tenba 636-237 Tools Cable Duo 8 Cable Pouch (Camouflage/Lime)
VMIC STEREO ON-CAMERA STEREO MICROPHONE FOR DSLRS, MIRRORLESS, VIDEO CAMERAS
$ 159.00 - Sold Out
VMIC STEREO ON-CAMERA STEREO MICROPHONE FOR DSLRS, MIRRORLESS, VIDEO CAMERAS
MFR SKU: VMIC-STEREO | Helix SKU: SRVMICSTEREO
Overview
The Saramonic Vmic Stereo is a premium on-camera stereo microphone that delivers broadcast-quality sound to DSLRs, mirrorless cameras, video cameras and audio recorders and provides a versatile array of features. This microphone excels at capturing the ambient sounds of nature, events, musical performances, interior spaces, and any environment where you want to immerse your audience in a place. With its tough, metal construction it’s always ready to travel, and with its precision stereo microphones it’s always ready to realistically capture the sounds of the world around you.
In addition to excellent sound, the Vmic Stereo also provides a versatile array of features that you won’t find on competing products. A built-in headphone output always lets you to hear your sound, even when your camera lacks a headphone jack. A second output is provided to connect the Vmic Stereo to your camera or recorder. All of the controls are easy to use and easy to access. It has a +20dB boost setting so you can turn down the noisy preamp in your camera for cleaner results as well as letting you pick up the action from further away. You can also cut the sensitivity by -10dB so you can shoot loud subjects or environments. A low-cut switch makes sounds more intelligible and eliminates unwanted deep bass noises, like distracting rumbling noises from vehicles. A high-frequency boost setting enhances the sharpness and clarity of the sounds you capture.
The included cable is removable, which means you can use any length 1.8” (3.5 mm) cable to position the mic away from your camera. Plus, the integrated shoe mount has a metal tripod thread at its base, so you can easily attach the Vmic Stereo to a variety of camera support products. A foam windscreen is included for indoor use, and for outdoor recording in higher winds you can use the VMIC-WS-S fitted furry windscreen that was designed specifically for the Vmic Stereo (sold separately).
- Broadcast-quality on-camera stereo microphone with built-in headphone jack, removable output cable, durable metal construction, and robust integrated shockmount
- Immersive stereo sound capture, easy to use with a versatile array of features, +20dB boost switch for achieving ultra-clean sound, -10dB switch for cleanly capturing loud sounds
- Low-cut switch makes sounds more intelligible and eliminates distracting rumble noises, high-frequency boost setting enhances sharpness and clarity
- Integrated camera-shoe mount features a metal 1/4 20 tripod thread, rugged and robust shockmount, not flimsy and prone to bending and damage
- Runs on 2 standard AA batteries with a battery door that’s easy to access and use
Specifications:
Type of Microphone: Condenser
Polar Pattern: Stereo Cardioid
Sensitivity: 37 dB at 1 kHz
Signal to Noise Ratio: 75dB or more
Output Impedance: 600hm or less
Filter: High-pass 150 Hz
Outputs: 2 x female 1.8” (3.5 mm), 1 for headphones, 1 for camera connection
Battery: 2 x AA (Alkaline or Lithium)
Dimensions: 116 x 90 x 171 mm
Weight: 8.6oz (244g)
In The Box:
1 x Vmic Stereo microphone
1 x short, coiled cable with gold-plated mini-plug connectors
1 x foam windscreen
1 x printed manual
1 x warranty card
Optional Accessories (Sold Separately):
- VMIC-WS-S Outdoor high-wind furry windscreen
- WM4C-C35 Replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cable
- SR-CS350 2-Pack of replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cables
- SR-UC-201 1/8“ (3.5mm) Female TRS microphone adapter cable to 3.5mm male TRRS for smartphones and tablets with a headphone jack
- WM4C-C35 Replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cable
- SR-CS350 2-Pack of replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cables
- SR-SM-C301 1/8“ (3.5mm) output cable for iOS
- SR-SM-C302 1/8“ (3.5mm) output cable for Android
- LC-C35 Locking 1/8“ (3.5mm) to Lightning output cable for iPhone & iPad
- UTC-C35 Locking 1/8“ (3.5mm) to USB Type-C output cable for smartphones, tablets and Apple computers with USB Type-C
- SR-PMC2 1/8“ (3.5mm) TRS to 1/8“ (3.5mm) TRRS output cable for smartphones and tablets
- SR-GMC2 1/8“ (3.5mm) TRS to select GoPro camera output cable
- USB-C201 Locking 1/8“ (3.5mm) TRS to USB output cable for PC and Mac computers
